Mrs. Redwing was an invalid thenceforth; probably it was only the
existence of her child that saved her life. An affection of the heart in
course of time declared itself, but, though her existence was believed
to hang on a thread, she lived on and on, lived to see Beatrice grow to
womanhood. She kept a small house in London, but spent the greater part
of the year at home or foreign health-resorts. Her relatives had
supposed that she would return to her own country, but Mrs. Redwing had
tastes which lacked gratification in a provincial manufacturing town.
Without having achieved much positive culture, she had received from her
husband an impulse towards the development of certain higher
possibilities in her nature, and she liked the society of mentally
active people. The state of her health alone withheld her from a second
marriage; she was not a very patient invalid, and suffered keenly in the
sense of missing the happiness which life had offered her. In the matter
of her daughter's education she exercised much care. Doctrinal religion
had a strong hold upon her, and it was her solicitude that Beatrice
should walk from the first in the ways of Anglican salvation. She
dreaded the 'spirit of the age.' With a better judgment in pure
literature than falls to the lot of most women--or men either--she yet
banished from her abode, wherever it might be anything that remotely
savoured of intellectual emancipation; her aesthetic leanings she deemed
the great temptation of her life, for she frankly owned to her friends
that many things powerfully attracted her, which her conscience bade
her shun as dangerous. Her generosity made her a shining light in the
world which busies itself in the dispensing or receiving of
ecclesiastical charity. The clerical element was very strong in the
circle that surrounded her. At the same time her worldly tastes did not
go altogether ungratified. She was very fond of music, and her unlimited
powers in the provision of first-rate musical entertainment brought to
her house acquaintances of a kind that would not otherwise have been
found there. The theatre she tabooed, regarding this severity as an
acceptable sacrifice, and not troubling to reflect what share her
ill-health had in rendering it a fairly easy one. In brief, she was a
woman of a genial nature, whose inconsistencies were largely due to her
inability to outgrow early conditions.
Public-domain text, read in full here on John Shaqi.
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