Artists -- Fiction; Fantasy fiction; London (England) -- Fiction; Married people -- Fiction; Portraits -- Fiction
He is a dark young man, with hair of one thickness
all over, like a black door-mat, and a beautiful
olive skin. As he turns round I think to myself
how beautiful his neck is at the back under the hair,
and that I should like to kiss it. But that is
impossible. I can recall my pleasure at his fixed
gaze, and constant resolute endeavour. Naturally
I want him to paint my other eye. Then I shall see
him still better.
I am not surprised at his saying nothing--for
remember!--I did not know what speech was then.
He had painted my mouth, only, of course, I did
not know what to do with it. Needless also to say
that I had not heard a word, for I had no ear at all.
I have only one now, but it has heard all that has
been spoken near it for four hundred years. I
heard nothing then--nothing at all! I only gazed
fixedly at the fascinating creature before me who
was trying his best to make me beautiful too--to
make me as beautiful as something that I could not
see--something his eyes turned round to at intervals,
something to my right and his left. What I recall
most vividly now is my curiosity to know what this
thing or person was that took his eyes off me at
odd moments; to which he made, now and again,
slight deprecatory signs and corrective movements
with his left hand; from which he received some
response I could not guess at, which he acknowledged
by a full-spread smile of grateful recognition.
But always in perfect silence, though I saw, when
his brush was not in front of my incomplete eye,
that his lips moved, showing his beautiful white
teeth; and that he paused and listened--a thing
I have learned about since--with a certain air of
deference, as towards a social superior. Oh, how I
longed to see this unseen being, or thing! But I
was not to do so, yet awhile.
My recollection goes no farther than the fact of
this young artist, working on in a strange, systematic
way, quite unlike what I have since understood to
be the correct method for persons of genius, until at
the end of some period I cannot measure, he paints
my other eye, and I rejoice in a clearer image of
himself; of the huge bare room he works in; of
the small window, high up, with its cage of grating
against the sky; of the recess below it, in which,
at the top of two steps, an old woman sits plaiting
straws, and beside her a black dog, close shaved,
except his head, all over. But I get no light upon
the strange attraction that takes my creator's
attention off me, until after a second experience,
as strange as my first new-found phenomenon of
sight--to wit, my hearing of sound. As he painted
my ear, it came.
Public-domain text, read in full here on John Shaqi.
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