Artists -- Fiction; Fantasy fiction; London (England) -- Fiction; Married people -- Fiction; Portraits -- Fiction
A good deal about a box of matches. Concerning a married
couple, whom anyone would have thought quarrelsome, to
listen to them. Of the difficulty with which the lady
housekept, and how her husband was no help at all. But
they went to the Old Water Colour. How Sairah only
just wiped gently over a tacky picture, and Mr. Aiken said
God and Devil. Of the plural number. Of a very pretty
girl, but dressy, and her soldier lover, and how Mrs. Aiken
was proper. Of her mystical utterance about the young
lady. How Mr. Aiken sought for an explanation from
Sairah, and created a situation. How his wife went to her
Aunt Priscilla, at Athabasca Villa, and cried herself to
sleep.
"You'll have to light the gas, Sairah!" said an
Artist in a fog, one morning in Chelsea. For
although summer was on the horizon, it was cold
and damp; and, as we all know, till fires come to an
end, London is not fogless--if, indeed, it ever is so.
This was a very black fog, of the sort that is sure to
go off presently, because it is only due to
atmospheric conditions. Meanwhile, it was just as well
to light the gas, and not go on pretending you could
see and putting your eyes out.
This Artist, after putting his eyes out, called out,
from a dark corner in his Studio, to something in a
dark corner outside. And that something shuffled
into the room and scratched something else several
times at intervals on something gritty. It was
Sairah, evidently, and Sairah appeared impatient.
"They're damp, Sairah," said the Artist feebly.
"Why do you get that sort? Why can't you get
Bryant and May?"
"These are Bryant and May, Mr. Aching. You
can light 'em yourself if it sootes you better. I know
my place. Only they're Safety, and fly in your
eye. Puttin' of 'em down to dry improves. I'd
screw up a spell, only there's no gettin' inside of the
stove. Nor yet any fire, in the manner of speaking."
The scratching continued. So did Sairah's
impatience. Then the supply of the something
stopped, for Sairah said: "There ain't any more.
That's the hend of the box. And exceptin' I go all
the way to the King's Road there ain't another in
the house--not Bryant and May."
"Oh dear, oh dear!" said the Artist, in the lowest
spirits. But he brightened up. "Perhaps there's
a Vesta," said he.
Sairah threw the thing nearest to her against
the thing nearest to it to indicate her readiness to
search.
"Look in the pocket of my plaid overcoat,
Sairah," he continued. "It was a new box
Tuesday."
Sairah shuffled into another room, and was heard
to turn over garments. The Artist seemed to know
which was which, by the sound. For he called
out: "None of those! On the hook." Sairah
appeared to turn up the soil in a new claim, and
presently announced: "Nothing in neither pocket.
Only coppers and a thrip'ny!"
"Oh dear--I'm certain there was! Are you
sure you've looked? Just look again, Sairah." He
seemed distressed that there should be no Vesta
in his overcoat pocket.
Public-domain text, read in full here on John Shaqi.
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