A Literary History of Ireland, from Earliest Times to the Present DayHyde, Douglas
History
A Literary History of Ireland, from Earliest Times to the Present Day
Hyde, Douglas
Civilization, Celtic, in literature; Irish literature -- History and criticism; Language and culture -- Ireland
Much or all of this pre-Milesian account of the race must be
unhesitatingly set down to the influence of Christianity, and to the
invention of early Christian bards who felt a desire to trace their
kings back to Japhet.[4] The native unchristianised genealogies all
converge in the sons and nephew of Milesius. The legends of their
exploits and those of their successors are the real race-heritage of
the Gael, unmixed with the fanciful Christian allusions and Hebraic
adulterations of the pre-Milesian story, which was the last to be
invented.
The genuine and early combination of Irish myth and history centres not
on foreign but on Irish soil, in the accounts of the Nemedians, the
Firbolg, the Tuatha De Danann, and the early Milesians, accounts which
have been handed down to us in short stories and more lengthy sagas,
as well as in the bold brief chronicles of the annalists. No doubt the
stories of the landing of his race on Irish soil, and the exploits of
his first chieftains were familiar in the early days to every Gael.
They became, as it were, part and parcel of his own life and being, and
were preserved with something approaching a religious veneration. His
belief in them entered into his whole political and social system, the
holding of his tribe-lands was bound up with it, and a highly-paid and
influential class of bardic historians was subsidised with the express
purpose of propagating these traditions and maintaining them unaltered.
Everything around him recalled to the early Gael the traditional
history of his own past. The two hills of Slieve Luachra in Kerry he
called the paps of Dana,[5] and he knew that Dana was the mother of
the gods Brian, Iuchar, and Iucharba, the story of whose sufferings,
at the hands of Lugh the Long-handed, has in later times so often
drawn tears from its auditors. When he beheld the mighty barrows piled
upon the banks of the Boyne,[6] he knew that it was over the Dagda--an
Irish Jupiter--and over his three sons[7] that they were heaped; and
one of these, Angus of the Boyne, was, down to the present century,
reverenced as the presiding genius of the spot. The mighty monuments of
Knock Áine in Limerick, and Knock Gréine, as well as those of Knowth,
Dowth, and New Grange, were all connected with his legendary past. It
was Lugh of the Tuatha De Danann, he knew, who had first established
the great fair of Tailltin,[8] to which he and his friends went from
year to year to meet each other, and contract alliances for their grown
children. The great funeral mound, round which the games were held, was
sacred to Talti, the foster-mother of Lugh, who had there been buried,
and in whose honour the games in which he participated were held upon
the day which he called--and still calls, though he has now forgotten
why--Lughnasa or Lugh's gathering.[9] His own country he called--and
still calls--by the various names of Eire, Fódhla [Fola], and Banba,
and they, as he knew, were three queens[10] of the Tuatha De Danann.
Public-domain text, read in full here on John Shaqi.
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