A Literary History of the ArabsNicholson, Reynold Alleyne
History
A Literary History of the Arabs
Nicholson, Reynold Alleyne
Arabic literature -- History and criticism
Rhymed prose (_saj‘_) long retained the religious associations which it
possessed in Pre-islamic times and which were consecrated, for all
Moslems, by its use in the Koran. About the middle of the ninth century
it began to appear in the public sermons (_khuṭab_, sing.
_khuṭba_) of the Caliphs and their viceroys, and it was still further
developed by professional preachers, like Ibn Nubáta († 984 A.D.), and
by official secretaries, like Ibráhím b. Hilál al-Ṣábí († 994 A.D.).
Henceforth rhyme becomes a distinctive and almost indispensable feature
of rhetorical prose.
[Sidenote: Badí‘u ’l-Zamán al-Hamadhání († 1007 A.D.).]
The credit of inventing, or at any rate of making popular, a new and
remarkable form of composition in this style belongs to al-Hamadhání (†
1007 A.D.), on whom posterity conferred the title _Badí‘u ’l-Zamán_,
_i.e._, 'the Wonder of the Age.' Born in Hamadhán (Ecbatana), he left
his native town as a young man and travelled through the greater part of
Persia, living by his wits and astonishing all whom he met by his talent
for improvisation. His _Maqámát_ may be called a romance or literary
Bohemianism. In the _maqáma_ we find some approach to the dramatic
style, which has never been cultivated by the Semites.[616] Hamadhání
imagined as his hero a witty, unscrupulous vagabond journeying from
place to place and supporting himself by the presents which his
impromptu displays of rhetoric, poetry, and learning seldom failed to
draw from an admiring audience. The second character is the _ráwí_ or
narrator, "who should be continually meeting with the other, should
relate his adventures, and repeat his excellent compositions."[617] The
_Maqámát_ of Hamadhání became the model for this kind of writing, and
the types which he created survive unaltered in the more elaborate work
of his successors. Each _maqáma_ forms an independent whole, so that the
complete series may be regarded as a novel consisting of detached
episodes in the hero's life, a medley of prose and verse in which the
story is nothing, the style everything.
[Sidenote: Ḥarírí (1054-1122 A.D.).]
Public-domain text, read in full here on John Shaqi.
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