The two young men got into the cab and were soon being rapidly driven
along the Rue du Cherche-Midi in order to reach the Boulevard du
Montparnasse, and so follow, by way of the Invalides, the long line of
avenues that crosses the Seine by the Pont de l'Alma and leads almost
direct to the Arc de Triomphe. At first both remained perfectly silent,
René amusing himself by watching for the well-known landmarks of a
neighbourhood in which all the reminiscences of his childhood and youth
were centred. The pane of glass through which he gazed was clouded with
a thin vapour, a fitting symbol of the cloud that separated the world he
had just left from that which lay before him. There was not an angle in
the Rue du Cherche-Midi that was not as familiar to him as the walls of
his own room--from the tall dark building of the military prison to the
corner of the quiet Rue de Bagneux, where Rosalie dwelt. The remembrance
of the charming girl whom he had so unceremoniously quitted that evening
passed through his mind, but caused him no pain. The sensation he felt
was like dreaming with open eyes, so little did the individual who had
trodden these streets in his dreary and obscure youth resemble the rich
and celebrated writer now seated next to Claude Larcher. Celebrated--for
all Paris had flocked to see his piece; rich--for 'Le Sigisbée,' first
performed in September, had already brought him in twenty-five thousand
francs by February. Nor was this source of revenue likely to be soon
exhausted. 'Le Sigisbée' had been put into the same bill with 'Le
Jumeau,' a three-act comedy by a well-known author that would have a
long run. The play, too, was selling well in book form, and the rights
of translation and of representation in the provinces were being turned
to good account. But all this was only a beginning, for René had
several other works in reserve--a volume of philosophical poems entitled
'On the Heights,' a drama in verse dealing with the Renaissance, to be
called 'Savonarola,' and a half-finished story of deep passion for which
the writer had as yet found no title.
Public-domain text, read in full here on John Shaqi.
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