Cost and standard of living -- Fiction; Humorous stories; Wealth -- Fiction
There was a short pause. The elder flea, a little dry in the mouth
with so much talking, again inserted its piercer in the skin beneath
it, and drew up another glass of flea wine. And in this the son
dutifully imitated the father.
“The imp,” continued the elder flea, much refreshed by the draught,
“the imp has entered the Bank printing-office. The man without
the heart, the poor wretch wriggling and moaning under our feet,
resignedly drops upon a stool. He sits wringing his hands for his
lost heart; and now his veins tingle, for he hears the creaking of
presses. Their motion seems, strangely enough, his motion. And now,
the imp that had vanished, comes back again, bringing in his arms the
poor man’s heart.”
“It can’t be of any use to him, now,” said the younger flea.
“Of the best use, my child, as he thinks it. The imp jumps upon
the man’s knee, and the heart—it has lost its red colour, and its
flesh-like look, and as though all the blood had been discharged
from it, is white as a rag, save that the veins show through it all
black—yes, black as ink; the heart, nicely fitted by the imp, beats
again in its place inside the sleeper. You see! how he smiles—and
how his whole body heaves with the chuckle—as he again feels the old
acquaintance. And now he can’t make too much of the imp; he throws
his arms about him, and paws his little cheeks in drunken fondness.
You hear! You hear, how the laugh gurgles in the fool’s throat,—and
all because he’s got his heart back again.”
“And now, as the dream’s over, father—what say you to another drink?”
asked the young flea.
“In a minute, for ’tisn’t over yet. No. The place is changed, and the
sleeper is carried to see what appears to him Gold’s Grand Review in
the Bank cellars.”
“What do you mean by Gold’s Review?” demanded the junior.
“The imp and the dreamer are in the Bank Cellars. Here, my son, in
mighty bars—in bars that can break even the backs of emperors—is
gold. The imp takes a new sovereign piece from its bosom, and
holds it above its head. Like a small golden sun, it illumines the
place. Whereupon, all the bars of gold become pigmy shapes, and
all in action. Here we have a whole army—all in gold—marching,
wheeling, forming into lines and squares. Here we have little golden
shipwrights hammering at golden craft; here, cooks of gold sweating
at golden dainties; here, in the cellar, all the works and labours,
the commands and services of the world, are shown by the imp in
action—drawn into life, for a brief space, from what was a moment
before bars of inert metal. It is, my son, as if all the world
outside of the walls of the Bank, was imitated by the world’s masters
down in the Bank cellars. I can see the Lord Mayor and Court of
Aldermen in little men of gold not bigger than an Alderman’s thumb:
and here they act in the metal itself what the metal makes acted in
the flesh outside.”
“And for what purpose—I don’t see the use of it,” said the young flea.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account