Plutarch tells us that the finest culture comes from the study of men in their best moods. But always life's best moods come through these heavenly visions. George Eliot makes the destiny of each hero or heroine to turn upon the use of those critical hours when some ideal fronts the soul for acceptance or rejection. To Maggie Tulliver came a delicious moment when her lover offered her honorable marriage, and would have led her into a perfumed garden of perfect happiness. But just in that hour when joy bubbled like a little spring in her heart, there came the memory of the crippled boy, to whom years before in her childhood she had plighted her troth. And the vision of her duty and the thought of his disappointment led her to refuse pleasure's spiced cup, and choose self-renunciation and a life for others. That heavenly vision saved her from plunging into the abyss of selfishness, even as the lightning's flash in the dark night reveals the precipice to the startled traveler. And when the visions divine have rebuked selfishness, they go on to conquer sin. Hawthorne uses the vision for redeeming his hero. To Arthur Dimmesdale, pursued by his enemy, came the dream of freedom, when, journeying to a foreign land with Hester and Pearl, he might regain health and happiness and find peace again in walking in the dear old paths of wisdom and study. But the day before his ship sailed came the vision splendid, bidding him mount the scaffold, confess his wrong, and free his conscience of its guilt. And it was obedience thereto that redeemed his life from hypocrisy.