A manual of Italian literatureCliffe, Francis Henry
History
A manual of Italian literature
Cliffe, Francis Henry
Italian literature -- History and criticism
The Sixteenth Century was fertile in historians, for we have to
chronicle the name of another in BERNARDO SEGNI. He wrote the _History
of Italy_ from 1527 to 1555, or three years before his death. Dealing
with contemporary events, he could not treat his subject with the
requisite independence, and living a quiet and studious life, it is
difficult to see how he could gather reliable information, or have
access to important documents.
VINCENZO BORGHINI was a laborious antiquarian, who wrote a book on the
_Origin of the City of Florence._
GIAMBATTISTA ADRIANI professed to continue Guicciardini's work in his
_History of his Own Times,_ but it is complete in itself, and has many
merits, both of style and subject. Adriani was celebrated in his day as
a public speaker, and his _Latin Orations_ were so much admired that
they were translated into Italian as soon as they were held. He died in
1579.
CAMILLO PORZIO who survived until 1603, wrote several historical
monographs concerning the Kingdom of Naples.
Skilful as they were in all the arts of composition, the writers of
the Sixteenth Century too frequently indulged in redundant prolixity.
Conscious of this defect, BERNARDO DAVANZATI determined to cultivate
the opposite quality of laconic conciseness. He was brilliantly
successful. He translated Tacitus, that great model of brevity, and
boasted that his rendering contained fewer words than the original
without sacrificing a particle of the sense. He wrote a book on the
Reformation in England, a Funeral Oration on Cosimo I, and several
treatises on finance and agriculture.
In reviewing the writers of this Epoch, we are struck with the
number and merit of the historians. The other Prose Writers appeal
but faintly to modern readers. With the exception of BALDASSARE
CASTIGLIONE, who, in his _Cortegiano_ gives us a pleasing picture
of the more refined circles of Italian society, and of Vasari and
Benvenuto Cellini, they do not disclose much of the manners and customs
of their age. No Boccaccio arose to portray for future times the men
and women of his day.
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