A manual of Italian literatureCliffe, Francis Henry
History
A manual of Italian literature
Cliffe, Francis Henry
Italian literature -- History and criticism
The stories of BANDELLO and of LUIGI DA PORTO have but little to
recommend them except the fact that they supplied Shakespeare with some
of his plots. Bandello, however, is by no means destitute of vivacity.
STRAPAROLA, the author of _Tredici Piacevoli Notti,_ and FIORENTINI,
the author of _Il Pecorone,_ also had the honour of furnishing hints to
the great dramatist. Too often it happens that the extreme prolixity of
the writers of the Sixteenth Century drowns their thoughts in an ocean
of words. It is strange that the great convulsion of the Reformation
did not produce any theological work written in the Italian language.
The controversies were all carried on in Latin, but even in Latin
nothing was produced in the Peninsula that is now remembered. Indeed,
the great Catholic reaction had the effect of making writers fearful
of giving offence. It restricted them more and more within academic
grooves, thus unhappily fostering that tendency to conventionality and
unreality which immersed Italian literature deeper and deeper into a
morass of mediocrity.
CHAPTER IX.
BERNARDO AND TORQUATO TASSO.
It is but seldom that poets are as romantic as their poems, or as
interesting as the offspring of their imagination. When, therefore,
a poet arises gifted with an interesting personality, the attention
he excites becomes universal. Such was the fate of TORQUATO TASSO. It
would not be altogether unjust to say that had he not suffered so many
misfortunes, his name would not be a household word, for the merit of
his poems hardly sustains the dignity of his renown.
His father, BERNARDO, a native of Bergamo, was born in 1493, and died
in 1569. He was a writer in prose and verse, his chief work being the
_Amadigi,_ an epic of immense length, well and carefully written, but
without any spark of genius. He was attached to the Court of Ferrante
Sanseverino, Prince of Salerno, and when his master was driven out
of his dominions by the Emperor Charles V, he followed his fortunes,
leaving his wife, Properzia de' Rossi, and three children, the youngest
of whom was Torquato, born in 1544, to the care of her relatives.
His devotion to the fallen fortunes of the Prince of Salerno was the
cause of many of the sorrows of his illustrious son. His patrimony
was sequestrated, and when he died, he had nothing to leave to his
children. Nor was this the greatest of his trials. He never saw his
wife again, and when he wished to have her with him in Rome, she was
in a dying condition. All she could do, was to send him the little
Torquato, whose training was henceforth confided to the father's care.
Public-domain text, read in full here on John Shaqi.
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