A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
We shall try to be realistic, as it would be vain to attempt to detach
art from the influences of nature; for art borrows its principal
elements from the impressions of natural phenomena. We shall be
historical, and point out the progressive development of art; and,
lastly, we shall endeavour to be critical. Speculative philosophy has
its merits in art. Esthetical criticism suggests new ideas, and new
ideas engender new forms. We shall endeavour to adopt from each of the
three schools what is best. Our age is an age of eclecticism in art. We
must, however, try to prepare for a period of original vitality, which
can only be done by avoiding one-sidedness and heedless originality.
We shall try to suggest and to excite in our readers new thoughts. As
music speaks in sounds, poetry in words, so art in forms; but music,
poetry, and art are subject to certain rules, without which harmony
would become dissonance, poetry an inflated prose, and art a tasteless
entity, of which quaintness will be the only distinguishing attribute.
What we call our sense of beauty is based on those laws which make the
existence of the universe possible.
The Greeks used for beauty in art the same word, as for order, or the
perfect arrangement of the universe. The word κόσμος {kosmos} (from
which we have ‘cosmetic,’ any beautifying application) may teach us how
we should look upon works of art, which ought to be a reflection of the
general laws ruling nature.
Two forces guide our material and intellectual life. We possess
two means of acquiring knowledge and of practising art: reason and
experience. Impressions from without are the everlasting source of all
our conceptions. Hunger and thirst drive us to seek nourishment, to
become fishers, hunters, herdsmen, or agriculturists. Cold and heat
force us to seek a shelter, to construct wigwams, huts, dwellings on
piles, cottages, houses, palaces, and temples.
Though order and harmony prevail in the outer world, every atom of
the universe is endowed with an unconscious will or life of its own.
Atoms seek atoms according to inherent laws, or fly from or annihilate
one another. The whole process of life around us appears to be one
never-ending struggle. Apparently there rules only the law of chance
and might; what cannot conquer is conquered.
Public-domain text, read in full here on John Shaqi.
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