A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation — John Shaqi
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
History is one long catalogue of appearing and disappearing nations, of
devouring and devoured kingdoms and empires. It is as though generation
after generation had emerged from the spectral past into the sanguinary
present, to destroy or to be destroyed. This conflict in the outer
world is seconded by everlasting conflicts in our inner world. Fear,
hope, love--passions of all kinds, imagination and reality, ignorance
and knowledge, pride and humility, prejudice and wisdom, form an
intellectual hurricane not less destructive than the warfare of the
cosmical elements. Religion, Science, and Art, this divine triad,
step in. Religion excites in us the hope of higher and better morals;
science creates consciousness of the laws according to which we are
governed; the link between cause and effect is traced, and the rule of
arbitrary chance narrowed. Lastly, art throws its beautifying halo on
everything. Thus these three are instrumental in elevating our mind,
expanding our intellectual powers, and bringing harmony and beauty into
the eternal conflict. Faith is the element of religion, experience the
element of knowledge, and beauty the element of art. Whilst faith and
experience are possible without an artistic elevation of the mind, art
must combine the elements of religion and science, and form through
beauty a visible link between these elements.
The sublime, as we have said, rules in the universe. Clouds chase one
another and are subject to everlasting changes. Trees cover the surface
of our globe, forming woods at random. Mountains are towered up, as if
hurled together by chance. Seas form a bewildering variety of coasts.
Streams wind their paths through mountains and valleys with capricious
irregularity. All these phenomena confuse and oppress us, they engender
an incomprehensible, indistinct feeling in us. But so soon as we begin
with our intellectual force to sift, to separate, and to detach single
phenomena from the general mass--as soon as _choice_ begins to work,
the isolated phenomenon displays at once its symmetrical beauty.
[Illustration: (Snowflakes)]
Public-domain text, read in full here on John Shaqi.
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