A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
During the pre-historic period of man’s artistic development we find a
peculiar similarity between his dwellings and his tombs. The mountain
cavern, and the hut constructed of beams and boughs, covered with
skins, were undoubtedly men’s first stately palaces. The very oldest
traditions bear out this statement. The earliest inhabitants of
Greece dwelt in mountain caverns. The people of Siberia, anterior to
the Samoyedes, lived, according to Erman, in subterranean caves. The
Kyklops of Homer are but nomads, residing in mountain caverns. Of the
Hittites, a tribe in Canaan in the times of Abraham, it is recorded
that they buried their dead in caves. But it is an incontestable fact
that the burial-places resembled the dwellings of the pre-historic
man. Crypts, catacombs, and rock-hewn temples may be set down as
having originated from man’s first mountain home. The tombs of the
Tartars in Kasan resemble their houses on a small scale. A Circassian
tomb resembles a Circassian cottage. The tombs of the Karaite Jews in
the valley of Jehoshaphat, are like their houses. Laplanders live in
caves. The aborigines of Germany and France, the contemporaries of the
mammoth, rhinoceros, auerochs and elk, dwelt in caves, as their bones
are found mingled with those of these now extinct animals, together
with various implements, such as adzes, flint arrows, stone knives, and
even, as in the cave at Perigord on the borders of the Dordogne, works
of art of great artistic power. Jordanes, in his ‘De Rebus Geticis,’
mentions people in Sweden (Scania) living like wild animals in caves,
cut out in the rocks. But the nomad savage could find such dwellings
only where there were mountains. If he wandered out of such a district
into the plains, and wanted to shelter himself from the inclemency of
the weather, he had to collect blocks of stone, and to form with them
artificial caves. In this manner cromlechs, Dös, Dyss or dolmens, and
gallery chambers arose, in which the long, narrow gallery corresponds
to the confined entrance of the mountain-cave, and the chamber to the
cavern.
Public-domain text, read in full here on John Shaqi.
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