A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
By degrees man began to construct detached houses for himself, and
at last temples for his god or gods. No traces of temples are found
in pre-historic times, except in the Western hemisphere. The Stiens
of Cambodia, in the central parts of Cochin-China, have no temples.
From the southern promontory of Africa to far beyond the banks of the
Zambesi no temples are found. The pastoral and agricultural people
of Madagascar have no temples, though they have huts and houses,
ornamented pottery, and are to a certain degree acquainted with
textile art. Before man constructs a temple he constructs a house,
to protect himself, his herds, and family from wild animals, but
above all from his still more dreaded fellow-creature, in whom he
sees a dangerous rival. This propensity serves to explain the origin
of lake-dwellings--the most ancient proofs of man’s constructing
capacity, and of his talent to unite for a certain purpose, and to
enclose a given space. Herodotus already tells us of a settlement on
Lake Prasias, the modern Tachyno (in Rumelia, European Turkey), where
men lived on platforms, supported by tall piles. Abulfeda, the Syrian
geographer (b. 1273; d. 1313), speaks of Christian fishermen living in
wooden huts, built on piles in one of the Apamean lakes on the Orontes
(in Asia). The Papuans of New Guinea still live in such pile-dwellings,
the floors of which are supported by rudely-carved human figures, an
attempt at telamons. These are ‘survivals,’ but the lake-dwellings in
Italy and Switzerland belong to pre-historic times. In tracing their
different modes of construction, we find three periods of a progressive
architectural development recorded.
We have pile-dwellings of the most primitive construction. Rough piles
were used, pointed with the aid of fire or with stone hatchets, later
with bronze, and finally with iron tools. They were placed either close
together or in pairs, or wide apart--generally in regular order. The
heads of the piles were brought to a level above the water to receive
the beams of the platform, which were fastened down with wooden pins.
Later, as an improvement, mortices were cut in the tops of the vertical
piles to receive the cross-beams.
Other constructions, especially those near Nidau (niedere Au, lower
meadow), are built on a foundation artificially strengthened with
stones, which is, undoubtedly, an improvement on the former method.
Experience taught the pre-historic architects that the piles were
not quite safe, and ought to have some support against the turbulent
risings of the lake. This produced the still more improved fascine
constructions, which certainly gave still greater strength to the
dwelling. The platform did not rest on mere piles but on artificial
foundations, built up from the bottom with horizontal layers of sticks
or small branches of trees, the vertical piles serving as connecting
links to the whole construction.
Public-domain text, read in full here on John Shaqi.
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