A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
In the _Centre_ of the Continent, art bears all the traces of a
gradually-developed progress. It almost reached the forms of Egypt,
but stopped half way. By some means Atalanta was separated from the
East, and the pyramids, temples and palaces of central America remained
in the same relation to the pyramids, temples and palaces of Egypt as
the _tapir_ to the elephant; the _alligator_ to the crocodile; and the
_llama_ to the camel.
The West possessed a knowledge of astronomy analogous to that of the
Chinese, and their mode of ornamentation in excellent stucco reached
a high degree of technical and even pictorial skill. They went so far
as to represent scenes of an historical character with some degree
of dramatic power; as the stucco of the rock-hewn temple of Mitla in
Mexico proves. Their ornamentation is irregular and confused, like
their wild vegetation, in which creepers predominate.
Some figures are striking in their resemblance to Egyptian forms.
A sculptured divinity of granite, 3½ feet high, found near a
finely-built pyramid not far from Guatusco or Huatusco, is excellently
worked and finished in a simple style. Still more curious is a small
statue executed in lava, with a head-dress resembling those of Isis,
the Sphinx, the capitals of the temple of Denderah, or at a later
period those of Antinous. Even the position of the feet reminds us of
the sphinx, and proves the absence of a knowledge of proportion.
In South America, in the regions of Lake Titicaca in Peru, lying at an
elevation of 13,000 feet above the level of the sea, i.e. about four
times as high as Snowdon, we have proofs of a very high civilisation.
Artificially-constructed causeways lead over the surrounding marshes to
the sacred town of Cuzco, the capital and central spot of the empire
of the fabulous yet real Incas. Of those times we have a garden of the
Incas, in the warmest and most sheltered part of the island, ‘with its
baths, and its fountains still flowing with silvery sheen and murmur.’
Not far from Titicaca is the island of Coati, sacred to the moon.
Here stood the famous palace of the Virgins of the Sun (reminding us
of the Vestals instituted by one of the Roman rulers), flanked by two
shrines dedicated to the sun and moon. These are the best-preserved
specimens of American pre-historic architecture. Round Lake Umayo, on a
peninsula, we find a remarkable group of ancient square burial towers,
known as the Chulpas of Silustani.
Public-domain text, read in full here on John Shaqi.
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