A Marriage in High Life, Volume IScott, Lady (Caroline Lucy)
General
A Marriage in High Life, Volume I
Scott, Lady (Caroline Lucy)
Great Britain -- Social life and customs -- 19th century -- Fiction; Marriage -- Fiction
Beneath the other drawing, was a Greek inscription. They were slight
sketches, and the figures were small; one of them had an air of
Fitzhenry not to be mistaken by her who knew his every look and gesture.
The other was a female figure. Emmeline’s eyes were rivetted on the
drawings; she could not doubt who, and what they represented; some days
of peculiar enjoyment, some tender moments were thus recalled, and poor
Emmeline’s spirit groaned within her.
On the mantle-piece, lay Fitzhenry’s pencil-case, pocket-book, and
several of those sort of trifles that seem so intimately connected with
the person to whom they belong. Emmeline had a gratification in taking
them in her hand, and examining them minutely: at last, she found a
small turquoise brooch which she had often observed in his
neck-handkerchief; it had apparently been originally meant for a woman’s
ornament. Emmeline had on one almost exactly similar. The temptation to
exchange them was too strong to be resisted—with trembling fingers she
undid her own pin; but again carefully examined Fitzhenry’s, for fear of
his detecting the exchange. At the back of his, in small letters, she
saw “Firenze,” but they were almost worn away; her courage however
nearly failed her, although she thought she might contrive to scratch
something on her own broach to resemble the inscription, but, just at
that minute, Lady Saville, who had finished her book of caricatures, and
looked at every thing in the room, coming up, proposed their proceeding
to the rest of the house—Emmeline almost started with the embarrassment
of guilt: she had no time for further doubt, she hastily threw down on
the marble-slab her own brooch, and carried off her husband’s.
Almost terrified at what she had done, when they met in the drawing-room
before dinner, she looked anxiously at Fitzhenry’s handkerchief, but,
when he turned towards the light, she had the satisfaction to see her
own pin placed as usual, and, consequently, that he had not discovered
her robbery.
To those who may be inclined to think the feelings of Emmeline on such a
trifle exaggerated, we have only to say, that proving themselves never
to have been _in love_ we can no more attempt to speak to their feelings
than to describe colours to a person born blind.
Delighted and elated with her prize, poor Emmeline’s spirits rose above
their now usual state, and when, after dinner, Lady Saville declared she
wanted exercise to get rid of a headache, and proposed dancing, Emmeline
readily forwarded her wish and offered her service as musician. Every
one willingly acquiesced, and they soon made up a quadrille. Fitzhenry
and Mr. Pelham were the only two who did not join in the dance, but
continued standing over the fire, seemingly engaged in very earnest
conversation. When the quadrille was ended, Emmeline played a waltz;
this was still less to be resisted, and the whole party immediately
swung round the room.
Public-domain text, read in full here on John Shaqi.
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