A Marriage in High Life, Volume IScott, Lady (Caroline Lucy)
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A Marriage in High Life, Volume I
Scott, Lady (Caroline Lucy)
Great Britain -- Social life and customs -- 19th century -- Fiction; Marriage -- Fiction
“I can play a waltz,” said Mrs. Danvers, the purse-making young lady’s
mother, who had just then entered the room—”I can’t bear to see you,
Lady Fitzhenry, labouring at the pianoforte, do let _me_ play who can do
nothing else; and do you go and join the dancers.”—And she insisted on
Emmeline resigning her post.
All were engaged: there was no one left to waltz with. Emmeline was
young; by nature gay, she liked dancing as all gay young people do. The
music, the sight of others dancing, all had revived her former love for
the amusement, and, not liking to deprive any one else of her partner,
she set off alone after the rest. Unsupported, and lately out of
practise, she soon grew giddy, the room turned round, she knew not where
she went, and, to save herself from falling, she caught hold of
something she had run against, putting her other hand over her eyes till
the dizziness had gone off. When it had subsided, still keeping her
hold, she looked up to see where she was.
It was her husband’s arm she had hold of.
She could scarcely check a scream of alarm which burst from her on
seeing what she had done: she hastily withdrew her hand, her flushed
cheek turning deadly pale. Fitzhenry was looking at her attentively, but
with apparent surprise, and indeed, even apparent displeasure.
The whole occurrence, which did not occupy above a minute, had been
mistaken by the dancers. They thought she was proposing to him to waltz
with her, and Mr. Moore hastily said, “That is right, Lady Fitzhenry;
make that lazy fellow dance. No one waltzes so well or _was_ so fond of
it; and it is too ridiculous his giving himself already the airs of an
old married man!”
“Lord and Lady Fitzhenry dance together! Oh! that will be charming,”
exclaimed Miss Selina, clapping her hands in foolish ecstasy.
“Come, come along, Fitzhenry,” rejoined Mr. Moore: “don’t be bashful;
ask Lady Fitzhenry in proper form to do you the favour of dancing with
you.”
“Certainly,” said Ernest, rather embarrassed: “certainly—with pleasure,
if Lady Fitzhenry wishes——I mean, if she will waltz with me, and can get
no better partner.”
“Oh! I never meant that—I was only giddy——,” said Emmeline, hardly
knowing what she said or did. The other waltzers stopped. “Now, Lady
Fitzhenry, we will follow you,” said the persecuting Mr. Moore. Any
further explanation or objection was impossible: waltz together they
must—and Fitzhenry put his arm round her.
All those who talk of the waltz as of a dance possessing no other
attraction, no more interest than that of any other, and owing the ill
name it bears merely to a cry raised against it by prejudice in a
country where as yet it is but newly introduced, have never waltzed with
_him_ or _her_ they love; for then their own feelings would answer, and
silence them.
Public-domain text, read in full here on John Shaqi.
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