A Marriage in High Life, Volume IIScott, Lady (Caroline Lucy)
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A Marriage in High Life, Volume II
Scott, Lady (Caroline Lucy)
Great Britain -- Social life and customs -- 19th century -- Fiction; Marriage -- Fiction
It was the first time he had ever entered her room since that day when,
on her parents’ first arrival at Arlingford, he had conducted them to
it; and, dreading the possible purport of his visit _now_, after the
scene that had lately occurred, she had not courage to say a word. For a
minute, both were silent—at length Fitzhenry said—
“I thought you would be anxious to hear about poor Reynolds; and as he
has now sunk into something like sleep, I came away for a minute to tell
you he is more easy and composed; but I fear this stupor is only the
forerunner of death, and that all will soon be over. I shall lose a most
faithful servant—indeed, an attached friend—.”
He paused; but Emmeline, still too nervous to speak, said nothing.
“I also came,” said he, in an agitated, hurried manner, “to
thank you for your kindness in coming to him: it was most
kind—good—excellent;—like yourself. I feel it deeply, I assure you, as
well as Reynolds.”
These few words of praise, so unlike what she had expected from him
after what had passed, still more overpowered Emmeline. Had she dared to
give way to the feelings of the moment, she would have thrown herself
into her husband’s arms, and, in his tenderness, claimed a reward for an
action which he seemed to take as a kindness to himself. But alas! not
for one moment could she be deceived as to the nature of _his_ feelings;
not for one moment, after the decisive declaration which she had again
heard him make, could she attribute his present manner towards her to
any thing but mere gratitude for her attentions to his old servant; and,
repressing the throbbings of her bosom, and scarcely knowing what she
said, with a breathless voice she answered:
“I came to Arlingford because I thought Brown’s letter might not reach
you in time, and I did not know where to write to you—I mean, I thought
you might be otherwise engaged yourself.”——And then struck with the
appearance of coldness and reproof in her words, and the possible
interpretation to be given to them, she stopped short.
Fitzhenry made no comment. Both were now standing seemingly occupied
with watching the dying embers of the fire—at last he turned towards
her, she felt his eyes were on her.
“Poor Reynolds often names you,” he said; “but I think, unless you wish
it—perhaps you had better not go to him again—such scenes are painful,
and——”
He was continuing, but with the quick touchiness of love, (of unrequited
love, which interprets every thing to its disadvantage,) Emmeline,
catching at those words, and fancying they alluded to what had lately
passed, and were meant as a hint to her to avoid any possible recurrence
of the same scene, immediately, with a voice scarcely audible from
agitation, said:
“Oh no, certainly. And perhaps now that you are here, and that my
presence is no longer desired—I mean not necessary—it may be more
convenient if I return to Charlton——or to town.”
Public-domain text, read in full here on John Shaqi.
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