A Marriage in High Life, Volume IIScott, Lady (Caroline Lucy)
General
A Marriage in High Life, Volume II
Scott, Lady (Caroline Lucy)
Great Britain -- Social life and customs -- 19th century -- Fiction; Marriage -- Fiction
“Just whatever you prefer,” said Fitzhenry, coldly; and, after a
moment’s pause, “you know my wish is, that you should always do whatever
you like and judge to be best.” And he put up his hand to take his
candle, as if in preparation to leave the room.
Poor Emmeline had, in a moment of perhaps excusable irritation, artfully
made the proposal of leaving Arlingford, in the hope of its being
opposed; and this cold acquiescence quite overcame her. She could not
speak, for her lips quivered when she attempted it; and, depressed and
nervous with all that had passed, big tears again rolled down her
cheeks, and she kept her head averted to conceal them from Fitzhenry.
In raising his hand to take his candle, he somehow had caught on the
button of his coat-sleeve a lock of her long hair, which was hanging
loose over her shoulders; and, during the pause that followed his
answer, he was endeavouring to disentangle himself; but in vain.
Surprised at his still remaining near her, and in silence, she at last
looked up, and seeing what had happened, her trembling hands darted on
the entangled hair, and with the vehemence of vexation, she broke and
untwisted it till she again set him free. He looked at her for a minute
in seeming astonishment, and then, coldly wishing her good-night, left
the room.
He had scarcely been gone a minute, when recalling the kindness of his
manner on first entering, and blaming herself for the irritation she had
given way to, she determined to recall him; and, passing from one
extreme to another, and buoyed up with instant hope—though she scarcely
knew of what—she hastily collected her hair with a comb, folded her
wrapper closer around her, and opening her door, hurried into the
gallery. All there was dark and silent; she turned towards Fitzhenry’s
room—his door was open—but he was gone! Stopping a minute to listen and
take breath, she heard him crossing the hall below on his way to
Reynolds’s apartment. She determined to recall him, and hurried along
the gallery to the head of the stairs for that purpose. When she got
there, she saw the last faint ray of the light he was carrying
glimmering across the hall. Twice she endeavoured to pronounce his
name—but it was a name that never could be pronounced by her calmly. She
was frightened at the sound of her own voice, faint as its accents were,
(so faint that they never reached him to whom they were addressed,) and
her courage totally failed her.
“Alas!” thought she, as she sadly leant against the bannisters for
support, “if he came, what could I say to him? what have I to ask of
him, but pity for feelings which he can neither understand nor return?
and may I at least never so far forget myself. I am humbled enough
already.” And now, even alarmed at what those feelings had so nearly
betrayed her into, she returned to her own room as hastily as she had a
minute before quitted it; so capricious, so inconsistent does passion
render its victims.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account