France -- History -- Revolution, 1789-1799 -- Fiction
"As trustworthy?" she said, a little bitterly. "That may very easily
be; but, Monsieur, if I trusted her, it was of necessity, and what law
does necessity know?"
"You are right," said Dangeau, after a brief pause; "I had no right to
ask—to expect you to answer."
He sat down again as he spoke, and something in his tone made
Mademoiselle look quickly from her papers to his face. She found it
stern and rather white, and was surprised to feel herself impelled
towards confidence, as if by some overwhelming force.
"I was jesting, Monsieur," she said quickly; "my name is Aline de
Rochambeau, and I am a very friendless young girl. I am sure that
Monsieur would do nothing that might harm me."
Dangeau scarcely looked up.
"I thank you, Citoyenne," he said in a cold, constrained voice; "your
confidence shall be respected."
Perhaps Mademoiselle was surprised at the formality of the
reply,—perhaps she expected a shade more response. It had been a
condescension after all, and if one condescended, one expected
gratitude. She frowned the least little bit, and caught her lower lip
between her white, even teeth for a moment, before she bent again to her
writing.
Dangeau’s pen moved, but he was ignorant of what characters it traced.
There is in every heart a moment when the still pool becomes a living
fountain, because an angel has descended and the waters are divinely
troubled. To Jacques Dangeau such a moment came when he felt that Aline
de Rochambeau distrusted him, and by the stabbing pain that knowledge
caused him, knew also that he loved her. When he heard her speak her
name, those troubled waters leapt towards her, and he constrained his
voice, lest it should call her by the sweet name she herself had just
spoken—lest it should terrify her with the resonance of this new
emotion, or break treacherously and leave her wondering if he were gone
suddenly mad.
He forced his eyes upon the page that he could not see, lest the new
light in them should drive her from her place. He kept his hand
clenched close above the pen, lest it should catch at her dress—her
hand—the white, fine hand which wrote with such clear grace, such
maidenly quiet, and all the while his heart beat so hard that he could
scarcely believe she did not hear it.
Ten o’clock struck solemnly, and Mademoiselle began to put away her
writing materials in her usual orderly fashion.
"You are going?" he stammered.
"Since it is the hour, Citizen," she answered, in some surprise.
He held the door, and bowed low as she passed him.
"Good-night, Citizen."
"Good-night, Citoyenne."
Public-domain text, read in full here on John Shaqi.
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