A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four ActsPyle, Howard
History
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts
Pyle, Howard
Alchemists -- Fiction; France -- History -- Louis XV, 1715-1774 -- Fiction; Saint-Germain, comte de, -1784 -- Fiction
All around were scattered quaint and curious jars and retorts of coarse
glass and metal. Rows of bottles of different shapes and sizes stood
upon the shelves, and in the corner was a great heap of mouldering,
dusty books, huge of size, and fastened with metal clasps. Built into
the middle of the farther wall was a wide brick chimney-place, black
with ancient soot, wherein were several furnaces of different sizes,
all long since cold, and with the sparks of fiery life dead in their
bosoms. Nevertheless, everything had been left as though the room had
been newly deserted. One pot-bellied retort reclined tipsily upon its
bed of cold gray ashes; a mortar stood upon the hob of another furnace
with the pestle in it; a book, held open by a glass rod across the
pages, lay near by, as though for reference.
In the centre of the room stood a square pillar or table of stone,
and upon it were two bottles containing a clear, limpid liquid, in
appearance like distilled water. Each was stoppered with glass, and
sealed besides with a great mass of blood-red wax. Upon each of the
bottles was pasted a square parchment label. One was marked in red
pigment, thus--[Symb 39]. The other was marked thus--[Symb 39] in
black. Oliver knew that these were the bottles for which he had been
sent.
He hesitated a moment; then, reaching forth his hand, he took first one
and then the other, and thrust them into his pocket.
He had reached the ending of his task.
Then of a sudden it was as though a wave of renewed life swept over him.
He thought nothing of the greater dangers that must still await him
above, at the mouth of the trap, though he had there read death in the
master's eyes. He was unreasonably, unthinkingly elated; it was as
though he had reached the ending of a long nightmare journey, and as
though his face was turned towards the light again. It was with firmer
and less fearful steps that he retraced his way through the dining-room
and the room beyond, where lay that silent, grisly sleeper, and so came
to the door-way with the blood-red line drawn around it.
Then he stopped and looked up.
At the square mouth of the shaft he saw the two faces still peering
down at him, the face of Gaspard and the face of the master side by
side.
Again, and for the third time, the master asked him the question, "Have
you found the bottles of water?"
"Yes," said Oliver, "I have found them."
"Then give them to me," said the other, in a ringing voice, and he
reached his arm down towards Oliver where he still stood in the
door-way, around which was drawn the blood-red line.
In the reaction from the prostration of fear which had been upon Oliver
for all this time, in the new elation which possessed him, it was as
though he had come up from out of the dark waters which had overwhelmed
him, and stood again upon the firm ground of courage.
"Yes," said he, "very good, my dear American uncle, but wait a little;
what then is to come of me if I give you these two bottles of water?"
Public-domain text, read in full here on John Shaqi.
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