A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts — John Shaqi
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four ActsPyle, Howard
History
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts
Pyle, Howard
Alchemists -- Fiction; France -- History -- Louis XV, 1715-1774 -- Fiction; Saint-Germain, comte de, -1784 -- Fiction
The other drew back his hand. "Did I not promise," said he, "to make
you rich for as long as you lived?"
"Yes," said Oliver, "you did, but I do not believe you. Suppose that I
give you these two bottles, how do I then know that you will not bang
down that trap upon me, and lock me in here to die alone in a day or
two?"
"Then come up here," said the other, "if you are afraid."
"Yes," said Oliver; "but last night I saw something--" He stopped
short, for the recollection of it stuck in his throat. "Suppose you
should hand me over to Gaspard and his black bag;" and he shuddered
with a sudden creep at the thought of it.
The master's face grew as black as thunder, and his eyes shone blue in
the light of the lantern. "Peste!" he cried, stamping his foot upon the
stone pavement. "Do you chaffer with me? Will you give me the water, or
will you not?"
"No," cried Oliver; "not until you promise to let me go safe back home."
"You will not give the bottles to me?"
"No!"
There was a pause for a moment, but only for a moment. Then there was
a snarl like the snarl of a wild beast--"Gaspard!" cried the master.
As he cried he leaped forward and down, two steps at a time, with the
servant at his heels.
Oliver ran back into the room, yelling, stumbled over the corner of a
rug, dropped the lantern, and fell flat upon the floor, where he lay,
with his face buried in his hands, screaming with terror. In his ears
rang a confused noise of snarls and cries and oaths and scuffling feet,
but no hand was laid upon him. Moment after moment passed. Oliver
raised his face from his hands, and looked fearfully over his shoulder.
At the open door-way stood Gaspard and his master, with white faces and
gleaming teeth, dancing and hopping up and down, tossing their hooked,
claw-like hands in the air, foaming with rage, snarling and gnashing
like wolves. The lantern which Oliver had dropped still burned with a
sickly, flickering gleam, for the candle had not gone out, and it was
partly by the light of it that he beheld them.
Then, like a flash of lightning, he saw it all: _they could not cross
that red line drawn across the door-way_.
Oliver's courage came back to him with a bound. He sat up and looked
at them struggling and striving to get at him, and kept back as by an
unseen wall of adamant. Instinctively he reached out and raised the
overturned lantern, for the light was on the verge of flickering out.
"Promise me that I shall reach home safe and sound," said he, "and you
shall yet have the two bottles."
[Illustration: "AT THE OPEN DOOR-WAY STOOD GASPARD AND HIS MASTER."]
The master did not seem to hear him. Oliver repeated the words. Then
suddenly the other ceased from the violence of his gestures and
exclamations, shook himself, and stood erect, pulled down his lace
cuffs, and wiped his face with his cambric handkerchief. Then he fixed
upon Oliver a basilisk glance, and smiled a dreadful smile.
"Gaspard," said he, "let us go."
Public-domain text, read in full here on John Shaqi.
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