A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four ActsPyle, Howard
History
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts
Pyle, Howard
Alchemists -- Fiction; France -- History -- Louis XV, 1715-1774 -- Fiction; Saint-Germain, comte de, -1784 -- Fiction
"In the days and weeks that followed, Arnold de Villeneuve saw nothing
of what was passing between the two. In his eyes Raymond Lulli was but
a fellow-student. It did not occur to him that passion might find place
even in the bosom of such an ardent follower of alchemy as this new
scholar of his. He beheld only the philosopher and student; he forgot
the man. For months the two labored and toiled like slaves, striving
to discover those two secrets contained in the great Geber's book, and
hidden beneath the strange formulas, the obscure words, and the mystic
pictures. One day they seemed upon the very edge of success, the next
day they failed, and had to begin again from the very beginning. The
laboratory in which they conducted their great work was one in which
Arnold de Villeneuve had already carried forward and completed some
of his most secret, delicate, and successful operations. Within the
wall of the garden back of his house he had had a hollow passage-way
constructed, which ran for some little distance to the deep cellar-like
vault that had, perhaps, at one time been the dungeon of some ancient
fortress. Beneath this vault or dungeon were three rooms, opening one
into another, that had in a far distant period been hewn out of the
solid rock. They were the rooms from which you, Oliver, escaped only a
little while ago. Two of those rooms were sumptuously and luxuriously
furnished; the furthermost was the laboratory where the two great
problems were solved--the problem of life and the problem of wealth.
Such was the workshop in which the two labored together, occasionally
for days at a time; the one sometimes sleeping while the other
compounded new formulas or watched the progress of slow emulsions.
[Illustration: "SUCH WAS THE WORKSHOP IN WHICH THE TWO LABORED
TOGETHER."]
"It was, as Arnold de Villeneuve had predicted, a long and toilsome
labor which they had undertaken; it was, as the great Geber had said, a
tremendous task to climb the steep mountain of knowledge and to pluck
the mystic flower of wisdom from the top. But at last the summit was
reached. Suddenly, one morning, unexpected success fell upon them like
a flash of lightning; for this, like many other successes, happened
through an accident-the overturning of a phial (the contents of which
it had taken months to prepare) into a mortar in which Raymond was
mixing a powder. It all happened in a moment-the accidental brushing
of a sleeve-but that one moment was sufficient; the secret of life was
discovered. From the secret of life to the secret of wealth was but a
step; the one hung upon the other. The very next day they discovered
that which shall make us-you, Oliver, and me, whom you may henceforth
call 'master'-the richest men in France. Did you know that the diamond
and the charcoal are the one and the same thing?"
"No," said Oliver, "I did not; the one is black and the other is white."
Public-domain text, read in full here on John Shaqi.
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