A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts — John Shaqi
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four ActsPyle, Howard
History
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts
Pyle, Howard
Alchemists -- Fiction; France -- History -- Louis XV, 1715-1774 -- Fiction; Saint-Germain, comte de, -1784 -- Fiction
Oliver's companion laughed. "There is less difference between black
and white, Oliver, and between the charcoal and the diamond, than
most people think. Later you will learn that for yourself; just now
you must take my word for it. But to resume our narrative. The next
morning Raymond and his master, as I have said, produced from the first
formula a second, by means of one drop of which they created in a
closed crucible, in which five pounds of charcoal had been volatilized,
a half-score of diamond crystals of various sizes, and one fine
blue-white crystal of nearly eight carats in size. Oliver," cried the
speaker, rising in his enthusiasm, and striding up and down the room,
"that was, to my belief, the greatest discovery that the world ever
saw! Other philosophers have approached the solution of the problem
of life, and have prolonged their existence ten, twenty, yes, fifty
years; still other philosophers have transmuted the baser metals into
gold; but who ever heard of transmuting black charcoal into brilliant
diamonds?" He stopped abruptly and turned towards the lad, and Oliver
saw the eyes which looked into his blaze with excitement, like the
diamonds of which he spoke. "Do you wonder," he cried, "that Raymond
Lulli and his master acted like madmen when they opened that retort,
and found those sparkling crystals twinkling like stars upon the rough
surface of the metal? Ha!"
III.
"But, as I said, it was a long time before those experiments were
concluded--before the great problems of life and wealth were
solved. Nine months had passed since Raymond had come, dusty and
travel-stained, like a beggar to the master's door, asking for crumbs
of knowledge. It was the consummation of their life's success. The
very next morning after that consummation came ruin. A blow, sharp and
terrible, fell upon the house.
"It was late, and the master had not yet made his appearance. Raymond
Lulli, passing along the hall-way with a book under his arm, met Agnes
at a door-way.
"'My father,' said she, 'has not yet come down from his room.'
"'I will call him, Agnes,' said Raymond, and then she noticed that his
face was as pale as ashes.
"'Are you ill, Raymond?' she asked.
"'No--yes, I am ill,' he shuddered. 'I will go and call your father.'
And he turned away.
"Agnes stood watching him as he, with slow, heavy steps, climbed the
steep stairs that led to the master's room above. She watched him as he
reached the door and knocked; and then, after a pause, knocked again,
and then again; she watched him as he laid his hand hesitatingly upon
the latch, and then raised it, and pushed open the door.
"The next moment the heavy book slipped from under his arm, and fell
with a crash to the floor. 'Agnes!' he cried, 'your father!' And then
his voice rang through the house: 'Jean! Franquois! Joseph! The master,
help!--the master!'
[Illustration: "THEY SAW ARNOLD DE VILLENEUVE, THE GREAT MASTER, UPON
THE FLOOR."]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account