A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four ActsPyle, Howard
History
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts
Pyle, Howard
Alchemists -- Fiction; France -- History -- Louis XV, 1715-1774 -- Fiction; Saint-Germain, comte de, -1784 -- Fiction
"There was a shriek; it was Agnes; there was a confusion of voices and
of running feet, and when the people of the house crowded into and
around the door-way, they saw Arnold de Villeneuve, the great master,
lying upon the floor, his eyes closed, and his head resting upon his
daughter's lap, as she kneeled beside him. His face was white and
drawn, and every now and then he shook with a hiccough. It was not a
pleasant sight, Oliver, and there was no need to ask the question--the
awful gray veil of death rested upon the great doctor's face.
"At a little distance from the father and the daughter stood Raymond
Lulli, with a face almost as ashen white as that of the dying man. He
turned to the frightened servants.
"'Why do you stand there like fools?' he cried. 'Come, lift the master
upon his bed.'
"They approached at Raymond's bidding, and, raising the dying
physician, laid him back upon the bed, from which he had apparently
just risen when the stroke of death fell upon him.
"Minute after minute passed in dead silence, broken only now and then
by a suppressed sob from one of the servants who stood around. Agnes
sat upon the bedside, silently holding her dying father's hand in hers.
Half an hour went by--an hour--the end was very near. Then suddenly
Arnold opened his eyes; they were sightless to this world; they were
gazing straight into the shadow of eternity that hung like a curtain
before him. His lips moved, and at last a struggling sound passed them.
"'Agnes!' said he, in a thick, guttural voice. "'Agnes!'
"'Here I am, father,' said she, and she leaned forward, bringing her
face before his eyes; a gleam of intelligence flickered faintly in
them. He beckoned stiffly, and Agnes drew still nearer. The dying man
raised his hand and touched her face; he felt blindly for a moment,
passing his cold, leaden fingers over her brows, and at last, as though
finding her eyes, pressed his palm upon them. He held his hand there
for a few seconds, and then let it fall heavily beside him, and those
who looked saw Agnes's eyes were now closed. For a moment or two there
was a pause of dead silence.
"It was Arnold's voice, thick, guttural, inarticulate, that broke the
hush: 'Look!'
"Agnes opened her eyes.
"Arnold raised his hand, and with his forefinger began feebly drawing
strange figures in the air; at first stiffly, then gradually more
freely as he gathered his dying powers into one last effort.
"At first Agnes gazed at the slow-moving hand intently, wonderingly.
Raymond sat near by, with his chin resting upon his palm and his eyes
fixed upon the floor, brooding darkly. By-and-by those who watched saw
the color fade slowly out of her cheeks; they saw her face grow pinched
and her eyes dilate. At last she reached out her hand and laid it upon
her father's, holding it fast in spite of his stiff and feeble efforts
to release it.
"'Stop, father!' she cried. 'Oh, God! Stop, I can bear no more.'
"'Look,' said Arnold, thickly.
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