A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts — John Shaqi
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four ActsPyle, Howard
History
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts
Pyle, Howard
Alchemists -- Fiction; France -- History -- Louis XV, 1715-1774 -- Fiction; Saint-Germain, comte de, -1784 -- Fiction
"Since the time when he had first seen Raymond Lulli in the glass,
Nicholas Jovus had made the acquaintance of the master in his own
proper person. Accordingly, Raymond stopped and chatted awhile with
the young student. While the two stood talking together that odd
servant of whom I spoke stepped around behind the philosopher. He made
a silent motion of inquiry, Nicholas Jovus nodded in reply, and the
next moment all was over. The serving-man had--had drawn a bag over the
philosopher's head.
"Nicholas Jovus thrust his hand into the philosopher's bosom, and,
after feeling for a moment, found the talisman, which was enclosed in
a bag hung around his neck. He did not take time to unfasten the cord
from which it hung, but, giving it a jerk, broke the string with a snap.
"As he did so, Raymond Lulli, who had been lying silent in the
encircling arms of that strange servant, gave a sharp, a loud, and a
bitter cry.
"What followed was as unlooked-for to Nicholas Jovus as it would
have been to you had you been there, Oliver. That quaint servant of
his--what think you he did? He laid Raymond Lulli upon the sand of the
sea-shore, and stripped the false body off of him as you might strip
off a man's coat. The young student did not know how it was done, but
done it was, and as deftly and as cunningly as a fisherman might draw
the skin from an eel. Then, as Nicholas Jovus stood aghast watching
him, he shouldered what appeared to be the empty skin of Raymond Lulli,
turned, and running some distance out along the quay, flung his burden
with a splash into the water. It sunk like a stone. The Raymond Lulli
that was left behind was an old man of seventy-five years of age,
bruised, bleeding, dying. My faith, Oliver! It was a long time before
Nicholas Jovus could bear the presence of that odd servant of his
without a shudder.
"That is all concerning the story of Raymond Lulli and those rooms that
you were in not long ago."
THE END OF THE MASTER'S MONOLOGUE.
* * * * *
He finished speaking, and Oliver sat gazing at him open-mouthed. He
was bewildered--he was stunned. It began to dawn upon his stupefied
wits that he was in the very presence of and face to face with a
dreadful, grotesque miracle. "And you," said he, in a low voice, and
then stopped short, for the question stuck in his throat.
[Illustration: "AND STRIPPED THE FALSE BODY OFF OF HIM AS YOU MIGHT
STRIP OFF A MAN'S COAT."]
The other smiled. "And I?" said he. "What is it, then, that you would
ask?"
"Are--are you--are you--Nicholas Jovus?"
The other laughed. "What a droll question!" said he. "That thing
happened four hundred years ago."
Public-domain text, read in full here on John Shaqi.
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