A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four ActsPyle, Howard
History
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts
Pyle, Howard
Alchemists -- Fiction; France -- History -- Louis XV, 1715-1774 -- Fiction; Saint-Germain, comte de, -1784 -- Fiction
"The fame of Yusef Ben Djani was at its height, and Nicholas Jovus,
then about four-and-twenty years of age, determined to visit the great
master at Bona. The philosopher saw in the young student the material
for an even greater than himself. He persuaded him to stay in Bona,
and to study the science of demonology under him. It was while there
that, with the assistance of his master, Nicholas Jovus superinduced
his own will upon the surface of a mirror to such an extent that within
it he could at any time see that which he willed to see. It was by
means of this mirror that he one time beheld Raymond Lulli, of whom he
had often heard, and, circumstances being then peculiarly propitious,
beheld at the same time not only Raymond Lulli himself, but the secret
of the talisman that he carried in his bosom. And not only did he
discover the existence of the talisman, but (Raymond's mind being at
that moment concentrated upon the past) he discovered the story of the
philosopher's life as I have told it to you, and thus first gained
knowledge of those dark chambers below the vault. Yes, Nicholas Jovus
saw all this in the mirror just as I have described it to you, Oliver;
it was the first and only time, but he never forgot it.
"Now soon after Raymond Lulli had reached Rome, after having left
Paris, he was taken with a violent fever, from which he wakened, his
physicians told him, only to die. But the physicians were mistaken. The
next morning when they visited him he was sitting at the table eating a
boiled capon, as well a man as you or I. I need to hardly tell you he
had used the talisman of life.
"Yet it was only with great hesitation, and in the last extremity,
that Lulli thus rehabilitated himself with a new body, for by so
doing he cut himself off forever from all chance of entering those
secret chambers again and recovering the phials, which he now bitterly
regretted having left behind him in the first throes of his grief and
remorse. For Arnold de Villeneuve, for protection against evil powers,
had drawn around the door of those underground chambers a circle upon
which he had marked a sign that Raymond Lulli could not pass without
leaving his newly-acquired body behind him.
"From the time that Raymond Lulli had used the talisman of life to
the time that Nicholas Jovus saw him in the mirror, thirty years had
elapsed, and yet he appeared as young as upon the day when the Roman
physicians had told him that he was to die.
"Nicholas Jovus determined to gain that talisman for his own.
"Now the young Venetian student had a curious, odd servant, very much
attached to him, and not so wicked as one might have thought under the
circumstances. Early one morning, before the town was awake, Nicholas
Jovus, followed by this servant, left the house of his master and
hurried down to the sea-shore. He had looked in his glass and saw that
Raymond Lulli was walking there. He met the alchemist not far from
where a long quay ran out into the water.
Public-domain text, read in full here on John Shaqi.
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