"A Modern Hercules," the Tale of a SculptressWinstock, Melvin G.
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"A Modern Hercules," the Tale of a Sculptress
Winstock, Melvin G.
American fiction -- 19th century
“Nothing truer was ever said,” chipped in Connors. “The ordinary
newspaper of today but reflects the cowardice of wealth. There is
little of the sincerity of conviction which prevailed in the days of
Horace Greeley.”
“They always cram Greeley down our throats,” cried Doane.
“Well,” said Connors, “wasn’t he a pretty bold and fearless man?”
“I’ll admit all that,” retorted Doane, “but I never did worship at the
shrine of any journalistic God.”
“But,” said Wayland, apparently realizing that the argument was growing
somewhat intense, “we have wandered some distance from the original
query.”
“And that was?” said Connors.
“The real object of our presence here,” interposed the editor. “Come,
now, what brought you here, Connors?”
“I must yield,” said Connors, “since the moulder of public opinion
implores the mere politician to tell the truth.”
“Be careful,” said Wayland, “sensations may be at a premium.”
“Bah,” said Doane, in real anger, “I never mix shop with social
intercourse.”
“Now,” said the wily politician, “don’t let us lose our tempers.”
“I did not intend offense,” said Wayland.
“And now,” said Connors, “since my friend has made the _amende de
honorable_, I will state frankly that I came here to take Ouida Angelo
to the Italian opera.”
“And so did I,” said Wayland.
“That also was my purpose,” said Doane.
“Well,” sighed Wayland, “it would be no fun for all of us to go
together.”
“Nor,” said Connors, “can we very well divide the lady into three
separate existences.”
“I suggest,” said Wayland, “that we draw lots.”
“There,” said Doane, “again breaks out his natural spirit of
speculation and chance.”
“No intention to talk shop,” sarcastically retorted Wayland.
This proposition finally proving agreeable, a simple plan of
lot-drawing was indulged in by these favorites of fortune, the result
of which was a victory for Doane.
“Doane always wins,” complained Wayland.
“I wonder if he plays fair,” spoke up Connors.
“Gentlemen,” said Doane, evidently gratified by his success, “don’t
weep. Allow me to console you. She really cares for neither of us.
Now, you are young, vigorous men. I am a free lance. I sleep all day;
work all night. You may have the hope of some day wedding decent,
commonplace wives. Just the creatures to be the safe and proper mothers
of your children. What matters it, if I, who hate everybody, and whom
everybody hates, am swallowed up in the mad vortex of passion? Society
loses nothing, and gains a dainty bit of gossip to chew on for a month.”
Ouida majestically burst upon them at this juncture.
“So,” she cried, “you have been making me the subject of chance. Pray,
what excuse dare you offer for such a profane proceeding?”
“And, Ouida, you should have heard of the consolation he offered, as he
gloated over his victory.”
Without giving the sculptress a chance to ask, Doane quickly said: “I
told them, madame, that you would marry neither of them.”
“Did you insinuate that it was possible that I might marry you?”
Public-domain text, read in full here on John Shaqi.
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