"A Modern Hercules," the Tale of a SculptressWinstock, Melvin G.
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"A Modern Hercules," the Tale of a Sculptress
Winstock, Melvin G.
American fiction -- 19th century
“No, but here, publicly, I proclaim the fact, that my newspaper and I
are yours at a moment’s notice.”
“Yes, your perpetual offer at times grows somewhat wearisome,” said
Ouida, “but, seriously speaking, Doane, get a law passed which will
allow marriage for a limited period, renewable at the option of the
parties, and I will try you for a brief period. The thought of being
forever tied to one man appals me.”
“But,” remonstrated Connors, “you forget, dear lady, that sometimes
offspring follows marriage.”
“Bah,” said Ouida, passionately, “they ought to be throttled ere
conceived. There are too many carelessly reared brats in the world
today. It would be a good thing to stop pro-creation for a generation.”
“There is really some sense in that,” thoughtfully reflected Wayland
aloud.
Ouida continued: “The Romans were wise. They killed children not
physically perfect. Pharaoh sacrificed the first born of the Jews.
I see no cruelty whatever in the idea. But I will not continue this
discussion. I am too full of anger.”
“Because I won?” said the editor.
“Partially so,” replied Ouida. “I was not consulted, and I refuse to be
bound by such a silly arrangement. Think you that one sour, dyspeptic,
gossipy editor, would for an entire evening suffice me, especially at
the opera, where one who listens to the music, is entirely out of the
fashion?”
“But--” the editor started in on a protest.
“I shall not listen to you,” cried Ouida, as she imperiously stamped
her shapely foot, “I will settle this matter by inviting you all to
occupy seats in my box. I shall take no vote upon the matter, for well
I know your acceptance is unanimous.”
“But, madame,” protested Wayland, “this is most unkind; you should not
treat us as though we were children.”
“I would you were as innocent,” bantered the lady of the house.
“What do you know about us?” said Connors.
“Do you think I don’t get some compensation for allowing Doane among my
intimates?” said Ouida.
“So he gives you the news, does he, before the dear public gets it?”
said Connors.
“A truce to this nonsense,” said Wayland. “Gentlemen, what shall we
do--accept the polite invitation of her royal highness?”
“Accept,” said Ouida, in breathless indignation, “accept? Is there any
doubt of it? Oh, well, there need not be. I withdraw it--”
“Seriously?” said Doane.
“I’ll give a railroad,” said the stock broker, “to make my peace with
her.”
“Now understand me,” said Ouida, imperiously, “I am not offended at
anything any one has said. This, above all other places, is Liberty
hall. Law, ordinary social rules, have long been banished, but as we
were talking, I was seized with a monstrous, overwhelming inspiration.
I must be alone tonight. I felt as though I might carve the boldest
stroke of ‘A Modern Hercules.’ Go! nor stay upon the order of your
going.”
No protest prevailed, and the trio left; nor did they stop on the
street to offer consolation to each other.
CHAPTER X.
A LOVERS’ QUARREL.
Public-domain text, read in full here on John Shaqi.
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