"A Modern Hercules," the Tale of a SculptressWinstock, Melvin G.
General
"A Modern Hercules," the Tale of a Sculptress
Winstock, Melvin G.
American fiction -- 19th century
Thenceforth Paul Strogoff entered the household of Ouida Angelo, the
sculptress, as a model. For the first time in his life, he felt that he
was human.
CHAPTER IV.
THE GREAT SENSATION.
Monday’s papers were full of Dr. Nugent’s sermon, and its sensational
termination. Tongues wagged fierce concerning the artistic creation,
its creator, and the fearless, the eloquent divine.
[_New York Herald._]
“The sensation of the season has arisen out of ‘A Grecian Temptress,’
by Ouida Angelo. Only crude, narrow and dogmatic opinion condemns.
The liberal and artistic world welcomes the work and its producer,
and New York is to be congratulated upon the priceless possession of
a genius who has obliterated sex in the grandness of her conceptions,
in the boldness of her execution and in her wondrous grasp of poetic
imagination. Dr. Nugent has made a fearful mistake, and his attack
upon the work and the woman in his pulpit yesterday, was the pursuit
of a course altogether at variance with his usual conservatism. He
has, if possible, defeated his very object by the bitterness of his
denunciation. For it is a known fact that New York breaks its neck to
see anything which is even nastily described, and ‘A Grecian Temptress’
will now be viewed by thousands who, but for the preacher’s invective,
would never have known of its existence. The learned doctor of divinity
in future would do well to confine himself to biblical subjects, and
leave artistic discussion to those who can appreciate.”
[_New York Post._]
“New York has the greatest things of any city in the world, and we
have added to our proud possession in the shape of Dr. Nugent, whose
courage has won the admiration of all classes of the community. Some
years ago an adventurous and audacious creature established a studio in
this city, and has since palmed off upon certain hysterical newspaper
men and old maids sighing for excitement, some vulgar carvings, and by
pandering to depravity and licentiousness, has contrived to secure a
certain idolatrous following. Dr. Nugent, in the face of her admiring
adherents, many of whom are members of his own congregation, has had
the courage to read New York a much-needed lesson. In an age when so
many preachers speak to please their rich constituencies, it is indeed
refreshing to find one man who preaches his convictions, regardless of
consequences. ‘A Grecian Temptress,’ by Ouida Angelo, is a dangerous
work of art, because of its very seductive quality. To the youth of
our land it is suggestive of pernicious evil. The Society for the
Prevention of Vice would do well to spend less time in hindering the
Turkish dance, and more effort in the prevention of the prostitution of
pure marble to such ignoble ends. The _Post_ appreciates Dr. Nugent’s
honest efforts in the cause of public decency. We have recently been
cleansing the political atmosphere. Let us second every honest effort
to purify public morals.”
[_Puck._]
Public-domain text, read in full here on John Shaqi.
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