"A Modern Hercules," the Tale of a SculptressWinstock, Melvin G.
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"A Modern Hercules," the Tale of a Sculptress
Winstock, Melvin G.
American fiction -- 19th century
“A great clown has appeared in the pulpit arena, and he shows every
Sunday at a great and fashionable church. True, the audience does
not laugh aloud. They do it in their sleeves; nor do any swallow the
medicines prescribed by this theological quack. The listening folk wait
till they get out. They then sneak around the corner and devour the
forbidden fruit. Churches are fast adopting the methods of the circus,
and we may soon look for the deacons to hire space on bill boards, and
there, in all the colors of the rainbow, we will see pictures of hell,
heaven and many other strong features of the regulation religious bill
of fare. Suppose Ouida Angelo wants to carve a pretty woman’s leg.
Don’t we know that such things exist, even though sometimes the shape
is not real? Shame upon you, Dr. Nugent! Have you not a large enough
task to look after the morals of your own flock, that you must forsooth
hold up to public ridicule, the greatest genius which New York has
seen for a century?”
[_New York Journal._]
“Ouida Angelo should now die happy. She has been outrageously
criticised by the scribblers of a subsidized press until they have
absolutely won for her a niche in the temple of fame, and now, to
cap the climax, she has at length antagonized the church. A noted
preacher has set all tongues wagging, and blood-tingling murders,
shipwrecks, are forgotten in a universal discussion over a piece of
marble statuary. The learned doctor says the artist is sensational, and
yet he proceeds to undignify the church by bettering her instruction.
He says she is vulgar, yet he vulgarizes a noble theme by becoming
offensively personal. No one can quarrel with his right to say what he
pleases about a work which has become public property. But he has no
more right to discuss what he pleases to term her private life, than he
has to attack the character of the richest member of his congregation.
Who authorizes him to set himself up as a judge and executioner of
the character of his fellows? Among people of all classes there is a
growing disrespect for the mere ecclesiastic, and such sermons are
aiding to bring the church into public contempt. This is gravely to
be regretted, especially in this instance, as Dr. Nugent was rapidly
forging to the front as a liberal and intelligent public speaker, and
this ill-considered effort will undoubtedly tend to lessen his great
influence as a public speaker.”
Public-domain text, read in full here on John Shaqi.
"A Modern Hercules," the Tale of a Sculptress — John Shaqi
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