"It surely is not very bad, doctor," she said, as she accompanied the
physician from the room. "I am just ordering a magnificent costume for
Desdemona. Othello comes out next week; you must have him well by that
time."
"We will hope for the best," the old man said, as he took his leave.
Johanna, who overheard his words, was startled. She knew from Dr. Werner
what these words signified in a physician's mouth. Whilst Helena
carelessly returned to her costume, Johanna waited with a throbbing
heart at her father's door until the servant made his appearance.
"Pray ask papa, Friedrich, whether I may not come in," she said.
The sick man heard her. "Come!" he called. His voice, usually so full
and sonorous, sounded muffled, and his face was still more changed: it
was colourless, and looked pinched and wan upon the pillow.
Johanna went to his bedside, with difficulty suppressing all signs of
emotion. "Papa," she entreated, "let me stay with you. You have
Friedrich, it is true, but I know better than he how to nurse an
invalid."
For a while he gazed at her as if he scarcely understood her words.
"Yes, stay with me," he said; "I think I am really very ill, and you are
more careful, quieter, stronger----"
He did not finish the sentence, but she understood what he meant.
"Ah, thank you!" she said, kissing his burning hand.
He drew his daughter closer to him. "My dear, good child!" he said,
pressing his feverish lips to her forehead. She did not dream that it
was a farewell caress.
The disease progressed rapidly, and was pronounced by the physician the
next day to be a nervous fever. He was quite content with Johanna's
calm, careful treatment of his patient, but he begged Helena, who could
not control her agitation, to spare her own delicate health for the sake
of her child, and to be as little as possible in the sick-room. She
sighed and submitted.
But, indeed, neither she nor any one else could have disturbed the sick
man after a few days had passed; he lay in a state of entire
unconsciousness.
The whole city was interested in the artist's condition; the inquiries
after his health were countless; the door was besieged by friends and
acquaintances. He had always been a kind, ungrudging comrade to his
fellow-actors, and now when he could no longer excite their envy, they
remembered his own freedom from it, and did all in their power to
testify their esteem and friendship for him.
For Helena it was a kind of consolation to receive their visits; her
nature was of those for which distraction is possible. After she had
with many tears given an account of the sick man's state, she would
listen with interest to theatrical gossip, and forget for a while her
own sorrow. It overcame her, indeed, with redoubled violence when she
was once more alone. Often, when she had been laughing with a visitor at
some jest, Johanna would find her in a state of most pitiable distress.
Public-domain text, read in full here on John Shaqi.
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