"He is going to die, I know he is; such happiness as ours was too great for this world of misery," she would declare, sobbing as if her heart would break; or she would cry out as if bereft of her senses, "O God, you cannot take him from me! He must be spared for me and for his art." She was most helpless and hopeless in the sick-room, where she would throw herself on her knees by Roderich's bedside, cover his hand with kisses, and exhaust every passionate term of endearment, nearly fainting when there was no response from her unconscious husband. But if one of the physicians or a friend wished to speak to her, she would arise, and, with a look of anguish as she left the room, involuntarily adjust artistically the soft folds of her white cachemire peignoir. Johanna was too young and unsophisticated to appreciate her step-mother. She did her injustice when she accused her of heartlessness, and she added to her own burden by a daily increasing dislike for Helena. But she could not help it. The sleep of exhaustion, which now and then overcame her, was all the rest and forgetfulness that she had. If she forced herself to talk with little Lisbeth, she had to struggle continually with rising tears, and when she heard others speaking of the events of the day, she could hardly comprehend how the affairs of the world could pursue their usual course outside of the sick-room. That was her realm, and her father's death seemed to her the end of all things. Week after week passed. The physician gave Johanna no hope. She had herself watched from day to day, and from hour to hour, the inexorable approach of the Destroyer, and when the last moment came, she had lived it over in thought a hundred times. It was the gray dawn of a morning in November. She was sitting alone at her father's bedside. Helena was asleep upon a lounge in the next room, when Roderich once more opened his eyes, in which there was a last ray of consciousness; his lips moved, and when Johanna leaned over him, she heard him whisper, 'Helena.' His features were convulsed for an instant, and when Helena rushed into the room in answer to her low cry, it was too late. Her husband had breathed his last. His heart had ceased to beat. Johanna closed his eyes and took her usual place beside him. She seemed paralyzed; she could not weep, she could not even think. Helena's noisy grief distressed her, but it seemed to reach her ear from some great distance, and soon died away altogether. Only two images remained in her memory from this terrible time,--the ideal beauty of her beloved dead as he lay in the coffin crowned with laurel, and the dreary aspect of the funeral cortége as it moved endlessly along the streets in the pouring rain, while the wind tore away from the hearse and whirled in air some of the flowers and wreaths with which it was bedecked.