It was Lisbeth who at last aroused Johanna from her lethargy. To spare
the imaginative child the sad impression of her father's dying moments,
she had been intrusted to the care of an actress friend, returning to
her home only when the funeral was over. Helena rushed to her, clasped
her in her arms, loaded her with caresses, declaring that she was all
that was left her in life, all that she had to live for, and then turned
away to receive a couple of her friends who had called to see her. They
were all soon absorbed in an animated discussion of mourning gowns and
Helena's broken heart, the impossibility of recovering from Roderich's
loss, his widow's plans for the future, the intrigues of the Kronberg,
and the inconceivable partiality of the manager for one so utterly
without talent. The child felt herself forgotten, and left the room to
look for her sister.
Johanna was not in her usual place at the work-table in Helena's
dressing-room, nor was she in her own sleeping apartment. But when
Lisbeth timidly entered her father's study, she found Johanna, looking
pale and white in her black gown, still sitting by the window whence she
had seen the funeral procession disappear. She sat in an arm-chair, her
head leaning back, her arms hanging idly down, gazing into space with
such an expression of dull anguish that the little girl was frightened.
"Johanna, dear Johanna, please do not be ill, do not die!" she cried,
throwing her arms around her sister's neck; and these first tender
words, the nestling close to her of the little one, dissolved the spell
that had bound the poor girl, and she burst into tears.
Afterwards, when longing for sympathy, she went to her step-mother,
Helena said in her coldest tone,--
"Has it really occurred to you to remember my existence? I think it was
high time. Everything comes upon me,--it will kill me."
Not a word was said of all that Johanna had done during the long weeks
of illness, and the gulf between Helena and herself widened.
The next morning Johanna was handed the card of Lieutenant Otto von
Dönninghausen. She would gladly have refused to see him, but written in
pencil upon the card was 'Commissioned by our grandfather,' and she
could not deny herself to one so accredited.
In the drawing-room she found a tall, fair man, about thirty years old,
whose military carriage betrayed the soldier in spite of his civilian's
dress.
"Cousin Johanna?" he said, advancing towards her, while his bright,
resolute blue eyes scanned her keenly. Then he held out his hand.
"Forgive me for intruding at such a time," he continued. "Let me plead
the right of kinship, and believe in the sincerity of my sympathy."
Johanna's eyes filled with tears. She mutely returned the pressure of
his hand, and motioned him to a seat.
Public-domain text, read in full here on John Shaqi.
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