In spite of this resolution, she could not away with a slightly
disagreeable sensation when, sitting beside Johann Leopold at table, she
noticed the assiduity with which Otto, who was Johanna's neighbour,
obeyed her command, and how Johanna's eyes sparkled as she talked with
her cousin. If Magelone could only have revenged herself upon him! But
words, looks, and smiles were lavished in vain upon Johann Leopold, who
was as monosyllabic as ever.
After dinner, in the drawing-room, Otto came to Magelone just as she was
going to join Aunt Thekla and her cousins around the fire. "Not there,"
he entreated; "come to the piano; it is so long since I heard you play."
"Lost pains," was her laughing reply, as she followed him to the other
end of the room. "You never will convince me that you care for music.
Did you ever really know what I was playing?"
"And if I did not, it was your fault. How can I think of aught else but
your beauty, which has so bewitched me, you enchanting siren?"
"Ah, you're wrong. Sirens enchant chiefly by their song," she rejoined
in a teasing tone, as she sat down at the piano and struck a few
chords. "Well, Sir Enthusiast for music, what will you have?"
"Play anything; never mind what."
"Last autumn you had a passion for Chopin,--have you forgotten? Do you
no longer recognize your favourite?"
She began to play. Otto sat beside her and turned over the leaves of her
music when she signed to him to do so. As often as he leaned forward she
felt, with a thrill, his breath upon her neck, and sometimes he
whispered, so low as to be almost inaudible, a word or two in jest in
which there seemed a tone of suppressed passion.
"Does he conduct himself thus towards Johanna?" she asked herself.
"Impossible!" her vanity made reply, and the _berceuse_ which she was
playing assumed the character of a triumphal march.
The moods of the group around the fire were less harmonious. The
Freiherr had retired immediately after dinner; the brothers Wildenhayn
and Johann Leopold, engaged in a political discussion, had withdrawn to
such a distance that they could not overhear the ladies' conversation,
and Hildegard soothed her injured feelings by animadverting upon
Johanna's position in the family.
It was certainly a matter of course that grandpapa should take charge of
the destitute orphan, since in a certain sense she was one of the
family; but was there any need to treat her as an equal? It was not only
an insult to the other members of the family, it was an injury to
Johanna herself. It would end in her forgetting her true position; she
would learn to form expectations which could not be fulfilled hereafter,
and she would lose by her arrogance the regard of the relatives upon
whom, after grandpapa's death, she must needs be dependent.
Public-domain text, read in full here on John Shaqi.
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