"I do not think you are right there," Aunt Thekla at last interposed,
having long tried in vain to oppose her gentle remonstrances to the
torrent of Hildegard's speech. "My brother is sure to provide for
Johanna."
"I think so too," cried Hedwig; "and I wonder, Hildegard, that you do
not see it yourself. After grandpapa's giving her that valuable
_parure_----"
"Yes, that _parure_!" Hildegard interposed. "With all your prejudice in
the girl's favour, you must admit, dear aunt, that grandmamma's bridal
_parure_ does not belong of right to her. She can do nothing with it;
she never can wear it. She does not belong in society; even grandpapa
could hardly succeed in introducing an actor's daughter."
Hildegard spoke these last words in a voice intentionally raised; for
Johanna, who had been preparing the coffee as usual at the table before
the sofa, was just passing with the first cup for Aunt Thekla. The
trembling of her hand betrayed that she had heard the malicious remark,
and Hildegard looked after her exultantly as she returned to the
coffee-table.
But Johann Leopold had also heard and seen, and he came to Johanna's
assistance.
"Dear Magelone," he said, going to the piano,--the _berceuse_ was just
ended, and Otto was expressing his admiration for the music and for the
performer,--"dear Magelone, will you preside at the coffee-table to-day?
Johanna has exhausted herself with Christmas-eve preparations; she looks
terribly pale and weary."
Magelone was ready on the instant to comply. "Johann Leopold
jealous,--charming!" she said to herself; adding aloud, "Indeed, Johanna
dear, you do look wretched. Sit there in the corner of the sofa, and I
will pour out coffee for you."
"I would rather go to bed," Johanna replied. And, bidding good-night to
Magelone and to Johann Leopold, whose kindness she had perfectly
understood, she slipped out of the room, unperceived, she thought, by
its other inmates. But in the corridor Otto joined her. "Dear Johanna,"
he said, "here is a little Christmas-token that had no place in the
joyous confusion of the evening. Do not look at it until you are in your
own room; but, before you go, tell me how you really are." And he gazed
into her eyes with the expression that always confused her.
"It is nothing; I shall be quite well to-morrow," she stammered,
mechanically, taking the little packet he handed her, and then hastening
up-stairs to her apartment, while he returned to the drawing-room.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account