"Well, let bygones be bygones," he rejoined with bitterness. "I may
surely be allowed to ask what snatched you from us so suddenly. You were
going to tell me."
Johanna seated herself opposite him. "If I only knew how to tell you,
how to convince you that I could not do otherwise," she said. "From the
expressions you have let fall you seem to me to think that I was
influenced by vanity, love of pleasure, and a desire for luxury. Your
sister accused me of the same motives."
"Let that go; what is Mathilde to us? Go on!" Ludwig interposed,
impatiently.
Johanna obeyed; the dictatorial tone to which she had submitted for so
long exercised its old influence upon her.
"You went away in the autumn," she began; "the winter passed as
peacefully as usual, and summer brought the usual throng of guests to
the baths. Suddenly we heard that my father was starring in Weimar. One
of our friends took me to the first performance. When we arrived it was
too late to see my father before the play, and so I sat in the corner of
our box in trembling expectation of beholding him after nearly eight
years----"
"Eight years!--a tender parent!" Ludwig interrupted; she paid him no
heed.
"But it was not my father whom I saw," she went on with increasing
agitation: "it was Hamlet. I thought I knew the play, but what heights
and depths were disclosed to me by this representation! This was no
acting, it was actual life: suffering--doubt--despair. I sat trembling
as if from a fever-fit, and after the performance I hastened to him. I
do not know what I said to him, but my enthusiasm touched and delighted
him. He kept me with him at first only during his stay in Weimar,
afterwards for always. He went with me to Lindenbad to demand me of my
foster-parents, and they thought it but natural that he should do so."
"Yes, so my mother wrote me," said Ludwig, "in the last letter I had
from her before she was taken ill."
"I had no idea how ill she was," the young girl whispered, "or I should
not have left her."
He made no rejoinder; his expression, as he gazed moodily upon the
ground, grew darker still.
After a pause, Johanna said, "I wrote to you then; why did you not
answer me?"
"I could not," he replied. "Amid all your grief at my mother's death
there was a tone of relief in your letter."
"There was," said Johanna. "It is not in vain that I am the child of a
great artist. The revelations he makes to me of the world of art are
like my native air to me. Unconsciously I missed them and longed for
them before I ever knew them."
"The intoxication has lasted, then?" Ludwig asked, with his bitterest
smile.
"Intoxication!" she repeated. "You may call it so; but it is something
better and nobler. I cannot define it, but its effect upon me is the
same, only intensified, if possible. Everything within me that is dim
and confused becomes clear and distinct when my father interprets for
me----"
"Johanna!" Ludwig exclaimed, "you would not--you cannot go upon the
stage!"
Public-domain text, read in full here on John Shaqi.
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