English fiction -- 20th century -- History and criticism; Fiction
The novel, too, does not live long, but I have known one break up a
happy home, and another teach revolt to several daughters; can we give
greater praise? Has so much been achieved by any work entitled _The
Foundations of the Century_, or something of that sort? The novel,
despised buffoon that it is, pours out its poison and its pearls within
reach of every lip; its heroes and heroines offer examples to the reader
and make him say: 'That bold, bad man ... you wouldn't think it to look
at me, who'm a linen-draper, but it's me.' If, in this preface, I may
introduce a personal reminiscence, I can strengthen my point by saying
that after publishing _The Second Blooming_ I received five letters from
women I did not know, who wholly recognised themselves in my principal
heroine, of course the regrettable one.
The novel moulds by precept and example, and therefore we modern
jesters, inky troubadours, are responsible for the gray power which we
wield behind the throne. Given this responsibility, it is a pity there
should be so many novels, for the reader is distracted with various
examples, and painfully hesitates between the career of Raffles and that
of John Inglesant. Thus the novel fires many a sanctimoniousness, makes
lurid many a hesitating life. If only we could endow it! But we cannot,
for the old saying can be garbled: call no novelist famous until he is
dead.
It is a fascinating idea, this one of endowing the novel. In principle
it is not difficult, only we must assume our capable committee and that
is quite as difficult as ignoring the weight of the elephant. I wonder
what would happen if an Act of Parliament were to endow genius! I wonder
who would sit on the sub-committee appointed by the British Government
to endow literature. I do not wonder, I know. There would be Professor
Saintsbury, Mr Austin Dobson, Professor Walter Raleigh, Sir Sidney Lee,
Professor Gollancz, all the academics, all the people drier than the
drought, who, whether the god of literature find himself in the car or
in the cart, never fail to get into the dickey. I should not even wonder
if, by request of the municipality of Burton-on-Trent, it were found
desirable to infuse a democratic element into the sub-committee by
adding the manager of the Army and Navy Stores and, of course, Mr
Bottomley. Do not protest: Mr Bottomley has recently passed embittered
judgments, under the characteristic heading 'Dam-Nation,' on Mr Alec
Waugh, who ventured, in a literary sketch, to show English soldiers
going over the top with oaths upon their lips and the courage born of
fear in their hearts. I think Mr Bottomley would like to have Mr Waugh
shot, and the editor of _The Nation_ confined for seven days in the
Press Bureau, for having told the truth in literary form. I do not
impugn his judgment of what it feels like to go over the top, for he
has had long experience of keeping strictly on the surface.
Public-domain text, read in full here on John Shaqi.
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