English fiction -- 20th century -- History and criticism; Fiction
No, our sub-committee would be appointed without the help of Thalia and
Calliope. It would register judgments such as those of the famous
sub-committee that grants the Nobel Prizes. That committee, during its
short life, has managed to reward Sully-Prudhomme and to leave out
Swinburne, to give a prize to Sienkewicz, whom a rather more recent
generation has found so suitable for the cinema. It has even given a
prize to Mr Rudyard Kipling, but whether in memory of literature or
dynamite is not known.
So literary genius must, as before, look for its endowment in the
somewhat barren heart of man, and continue to shed a hundred seeds in
its stony places, in the forlorn hope that the fowls of the air may not
devour them all, and that a single ear of corn may wilt and wither its
way into another dawn.
II
The reading of most men and women provides distressing lists. So far as
I can gather from his conversation, the ordinary, busy man, concerned
with his work, finds his mental sustenance in the newspapers,
particularly in _Punch_, in the illustrated weeklies and in the journals
that deal with his trade; as for imaginative literature, he seems to
confine himself to Mr Nat Gould, Sir Arthur Conan Doyle, Mr W. W.
Jacobs, Mr Mason, and such like, who certainly do not strain his
imaginative powers; he is greatly addicted to humour of the coarser
kind, and he dissipates many of his complexes by means of vile stories
which he exchanges with his fellows; these do not at all represent his
kindliness and his respectability. Sometimes he reads a shocker, the
sort that is known as 'railway literature,' presumably because it cannot
hold the attention for more than the time that elapses between two
stops.
The more serious and scholarly man, who abounds in every club, is
addicted to the monthly reviews, (price two-and-six; he does not like
the shilling ones), to the _Times_, to the _Spectator_; that kind of man
is definitely stodgy and prides himself upon being sound. He is fond of
memoirs, rather sodden accounts of aristocrats and politicians, of the
dull, ordinary lives of dull, ordinary people; when he has done with the
book it goes to the pulping machine, but some of the pulp gets into that
man's brain. ('Ashes to ashes, pulp to pulp.') He likes books of travel,
biographies, solid French books (strictly by academicians), political
works, economic works. His conversation sounds like it, and that is why
his wife is so bored; his emotions are reflex and run only round the
objects he can see; art cannot touch him, and no feather ever falls upon
his brow from an airy wing. He commonly tells you that good novels are
not written nowadays; he must be excused that opinion, for he never
tries to read them. The only novels with which the weary Titan refreshes
his mind are those of Thackeray, sometimes of Trollope; the more
frivolous sometimes go so far as to sip a little of the honey that falls
from the mellifluous lips of Mr A. C. Benson.
Public-domain text, read in full here on John Shaqi.
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