Mr. Searle frowned in silence and his companion gave him a tap on the
stomach. “Line those ribs a bit first!” He blushed crimson; his eyes
filled with tears. “You ARE a coarse brute,” he said. The scene
quite harrowed me, but I was prevented from seeing it through by the
reappearance of the landlord on behalf of number 12. He represented to
me that I ought in justice to him to come and see how tidy they _had_
made it. Half an hour afterwards I was rattling along in a hansom toward
Covent Garden, where I heard Madame Bosio in _The Barber of Seville_. On
my return from the opera I went into the coffee-room; it had occurred
to me I might catch there another glimpse of Mr. Searle. I was not
disappointed. I found him seated before the fire with his head sunk on
his breast: he slept, dreaming perhaps of Abijah Simmons. I watched him
for some moments. His closed eyes, in the dim lamplight, looked even
more helpless and resigned, and I seemed to see the fine grain of his
nature in his unconscious mask. They say fortune comes while we sleep,
and, standing there, I felt really tender enough--though otherwise most
unqualified--to be poor Mr. Searle’s fortune. As I walked away I noted
in one of the little prandial pews I have described the melancholy
waiter, whose whiskered chin also reposed on the bulge of his
shirt-front. I lingered a moment beside the old inn-yard in which, upon
a time, the coaches and post-chaises found space to turn and disgorge.
Above the dusky shaft of the enclosing galleries, where lounging lodgers
and crumpled chambermaids and all the picturesque domesticity of a
rattling tavern must have leaned on their elbows for many a year, I made
out the far-off lurid twinkle of the London constellations. At the foot
of the stairs, enshrined in the glittering niche of her well-appointed
bar, the landlady sat napping like some solemn idol amid votive brass
and plate.
The next morning, not finding the subject of my benevolent curiosity in
the coffee-room, I learned from the waiter that he had ordered breakfast
in bed. Into this asylum I was not yet prepared to pursue him. I spent
the morning in the streets, partly under pressure of business, but
catching all kinds of romantic impressions by the way. To the searching
American eye there is no tint of association with which the great grimy
face of London doesn’t flush. As the afternoon approached, however,
I began to yearn for some site more gracefully classic than what
surrounded me, and, thinking over the excursions recommended to the
ingenuous stranger, decided to take the train to Hampton Court. The day
was the more propitious that it yielded just that dim subaqueous light
which sleeps so fondly upon the English landscape.
Public-domain text, read in full here on John Shaqi.
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