At the end of an hour I found myself wandering through the apartments of
the great palace. They follow each other in infinite succession, with no
great variety of interest or aspect, but with persistent pomp and a fine
specific effect. They are exactly of their various times. You pass from
painted and panelled bedchambers and closets, anterooms, drawing-rooms,
council-rooms, through king’s suite, queen’s suite, prince’s suite,
until you feel yourself move through the appointed hours and stages
of some rigid monarchical day. On one side are the old monumental
upholsteries, the big cold tarnished beds and canopies, with the
circumference of disapparelled royalty symbolised by a gilded
balustrade, and the great carved and yawning chimney-places where
dukes-in-waiting may have warmed their weary heels; on the other,
in deep recesses, rise the immense windows, the framed and draped
embrasures where the sovereign whispered and favourites smiled, looking
out on terraced gardens and misty park. The brown walls are dimly
illumined by innumerable portraits of courtiers and captains, more
especially with various members of the Batavian _entourage_ of William
of Orange, the restorer of the palace; with good store too of the
lily-bosomed models of Lely and Kneller. The whole tone of this
processional interior is singularly stale and sad. The tints of all
things have both faded and darkened--you taste the chill of the place
as you walk from room to room. It was still early in the day and in
the season, and I flattered myself that I was the only visitor. This
complacency, however, dropped at sight of a person standing motionless
before a simpering countess of Sir Peter Lely’s creation. On hearing
my footstep this victim of an evaporated spell turned his head and I
recognised my fellow lodger of the Red Lion. I was apparently recognised
as well; he looked as if he could scarce wait for me to be kind to him,
and in fact didn’t wait. Seeing I had a catalogue he asked the name of
the portrait. On my satisfying him he appealed, rather timidly, as to my
opinion of the lady.
“Well,” said I, not quite timidly enough perhaps, “I confess she strikes
me as no great matter.”
Public-domain text, read in full here on John Shaqi.
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