Their first journey was to Munich, where the elector received them kindly. The programmes consisted of improvisations by the youthful Mozart upon themes assigned by the audience; pieces for violin and piano, the father taking the violin part, and the sister in turn played piano pieces. The father was a good violinist and the author of an excellent school for that instrument. He also composed many ambitious works, which rise above the capellmeister average. Highly gratified with their reception at Munich, they went on to Vienna, where again they were cordially received, the emperor especially being highly delighted with the "little magician," as he called the promising boy. Even at this early age Mozart had a distinct idea of his own authority in music, although no one could be freer than he from the charge of self-conceit. In Vienna, he asked expressly for Wagenseil, the court composer, that he might be sure of having a real connoisseur among his hearers. "I am playing a concerto of yours," he said, "you must turn over for me." The ladies of the aristocracy went wild over the fascinating young fellow, but presently he had an attack of scarlet fever, which brought the tour to an end. After the return to Salzburg, the practice went on every day, and regular lessons in books, as they had during the journey; and, when he was still less than nine years of age, the family undertook a longer tour to Paris, playing at all the important towns on the way. In several of the cities, Wolfgang played the violin, and also the organ in the churches. At Paris they had a remarkable success, playing before the court at Versailles, and in many of the houses of the nobility. Here the father had four of the boy's sonatas for piano and violin engraved and published. The stay at Paris lasted five months, until November 10, 1764, when they departed for London. Here they met a favorable reception at court, the king, George III, taking a great interest in the wonderful young master. He put before him pieces of Bach, Wagenseil and Haendel, which he played at sight. On the fifth of June they gave a concert in Spring Gardens, where their receipts were as much as 100 guineas. His next appearance was as an organist for the benefit of a charity. The father having taken cold, was ill for some time, during which time, as the boy was unable to play on the piano, he wrote his first symphony, and the year following three others. Before leaving London they visited the British Museum, and in memory of his visit Wolfgang composed a four-part quartette, and presented the autograph to the museum. [Illustration: Fig. 54. CONCERT BY THE MOZART FAMILY. THE LITTLE WOLFGANG AT THE PIANO. (From a painting by Carmontil, 1763.)]