the youngest master who has ever left a permanent impression in musical history. One of the most prolific composers of this period was Nicolo Jomelli (1714-1774). Jomelli represents the Neapolitan school, having been educated first at the conservatory of San Onofrio, and later at that of "_La Pieta de' Turchini_." His earlier inclination was church music, and in order to perfect himself in it he went to Rome. This was in 1740, and two of his operas were there produced. He afterward visited Vienna, where he produced several operas, and in 1749 he was appointed assistant musical director at St. Peter's in Rome, a position which he held for five years, after which he went to Stuttgart, as musical director. While in Germany he had a very great reputation as an opera composer. In 1770 Mozart wrote from Naples, "The opera here is by Jomelli; it is beautiful, but the style is too elevated as well as too antique for the theater." His later life was spent in Naples. Besides many operas he wrote a number of compositions for the church. It perhaps gives a good idea of the estimation in which he was held while living, that a critic highly esteemed in his day said that it would be a sorry day for the world when the operas of Jomelli were forgotten, at the same time pronouncing them superior to those of Mozart. Not a single line of Jomelli is performed at the present time, nor is likely ever to be; but the works of Mozart still retain their popularity. Another prolific composer of the Neapolitan school was Antonio Maria Gasparo Sacchini (1724-1786). This clever composer was very successful in his lifetime, his operas being produced in all parts of Europe. Nevertheless they are monotonous in character, and have little depth. He has very little importance for the history of music. Still another, also from the Neapolitan school, was Piccini (1728-1800). His first operas were produced in 1754, and from that time on for about forty years he was a very popular composer, his works being produced in every theater, and in 1778 he was set up as an idol by his admirers, in opposition to Gluck. He was highly honored by Napoleon, who took pleasure in distinguishing him for the sake of humbling several much more deserving musicians. The complete list of his works in Fetis contains eighty operas. His biographer credits him with one hundred and thirty-three. Yet another composer of the Neapolitan school was Giovanni Paisiello (1741-1815). From the time of his first operas to his death, he was highly esteemed as a composer. In 1776 he was invited by the Empress Catharine to St. Petersburg, where he lived for eight years, and among other operas which he composed while there was "_Il Barbiere di Siviglia_." In 1799 he was called to Paris, where Napoleon very greatly distinguished him. Upon leaving Paris, in 1803, Napoleon desired him to name his successor, when he performed the creditable act of nominating Lesueur, who was at that time unknown.