A Portrait of the Artist as a Young Man — John Shaqi
A Portrait of the Artist as a Young ManJoyce, James
General
A Portrait of the Artist as a Young Man
Joyce, James
Artists -- Fiction; Autobiographical fiction; Bildungsromans; Dublin (Ireland) -- Fiction; Young men -- Fiction
It was not Wells’s face, it was the prefect’s. He was not foxing. No,
no: he was sick really. He was not foxing. And he felt the prefect’s
hand on his forehead; and he felt his forehead warm and damp against
the prefect’s cold damp hand. That was the way a rat felt, slimy and
damp and cold. Every rat had two eyes to look out of. Sleek slimy
coats, little little feet tucked up to jump, black slimy eyes to look
out of. They could understand how to jump. But the minds of rats could
not understand trigonometry. When they were dead they lay on their
sides. Their coats dried then. They were only dead things.
The prefect was there again and it was his voice that was saying that
he was to get up, that Father Minister had said he was to get up and
dress and go to the infirmary. And while he was dressing himself as
quickly as he could the prefect said:
—We must pack off to Brother Michael because we have the collywobbles!
He was very decent to say that. That was all to make him laugh. But he
could not laugh because his cheeks and lips were all shivery: and then
the prefect had to laugh by himself.
The prefect cried:
—Quick march! Hayfoot! Strawfoot!
They went together down the staircase and along the corridor and past
the bath. As he passed the door he remembered with a vague fear the
warm turfcoloured bogwater, the warm moist air, the noise of plunges,
the smell of the towels, like medicine.
Brother Michael was standing at the door of the infirmary and from the
door of the dark cabinet on his right came a smell like medicine. That
came from the bottles on the shelves. The prefect spoke to Brother
Michael and Brother Michael answered and called the prefect sir. He had
reddish hair mixed with grey and a queer look. It was queer that he
would always be a brother. It was queer too that you could not call him
sir because he was a brother and had a different kind of look. Was he
not holy enough or why could he not catch up on the others?
There were two beds in the room and in one bed there was a fellow: and
when they went in he called out:
—Hello! It’s young Dedalus! What’s up?
—The sky is up, Brother Michael said.
He was a fellow out of the third of grammar and, while Stephen was
undressing, he asked Brother Michael to bring him a round of buttered
toast.
—Ah, do! he said.
—Butter you up! said Brother Michael. You’ll get your walking papers in
the morning when the doctor comes.
—Will I? the fellow said. I’m not well yet.
Brother Michael repeated:
—You’ll get your walking papers. I tell you.
He bent down to rake the fire. He had a long back like the long back of
a tramhorse. He shook the poker gravely and nodded his head at the
fellow out of third of grammar.
Then Brother Michael went away and after a while the fellow out of
third of grammar turned in towards the wall and fell asleep.
Public-domain text, read in full here on John Shaqi.
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