A Portrait of the Artist as a Young ManJoyce, James
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A Portrait of the Artist as a Young Man
Joyce, James
Artists -- Fiction; Autobiographical fiction; Bildungsromans; Dublin (Ireland) -- Fiction; Young men -- Fiction
A glow of desire kindled again his soul and fired and fulfilled all his
body. Conscious of his desire she was waking from odorous sleep, the
temptress of his villanelle. Her eyes, dark and with a look of languor,
were opening to his eyes. Her nakedness yielded to him, radiant, warm,
odorous and lavish-limbed, enfolded him like a shining cloud, enfolded
him like water with a liquid life; and like a cloud of vapour or like
waters circumfluent in space the liquid letters of speech, symbols of
the element of mystery, flowed forth over his brain.
Are you not weary of ardent ways,
Lure of the fallen seraphim?
Tell no more of enchanted days.
Your eyes have set man’s heart ablaze
And you have had your will of him.
Are you not weary of ardent ways?
Above the flame the smoke of praise
Goes up from ocean rim to rim.
Tell no more of enchanted days.
Our broken cries and mournful lays
Rise in one eucharistic hymn.
Are you not weary of ardent ways?
While sacrificing hands upraise
The chalice flowing to the brim.
Tell no more of enchanted days.
And still you hold our longing gaze
With languorous look and lavish limb!
Are you not weary of ardent ways?
Tell no more of enchanted days.
What birds were they? He stood on the steps of the library to look at
them, leaning wearily on his ashplant. They flew round and round the
jutting shoulder of a house in Molesworth Street. The air of the late
March evening made clear their flight, their dark darting quivering
bodies flying clearly against the sky as against a limp-hung cloth of
smoky tenuous blue.
He watched their flight; bird after bird: a dark flash, a swerve, a
flutter of wings. He tried to count them before all their darting
quivering bodies passed: six, ten, eleven: and wondered were they odd
or even in number. Twelve, thirteen: for two came wheeling down from
the upper sky. They were flying high and low but ever round and round
in straight and curving lines and ever flying from left to right,
circling about a temple of air.
He listened to the cries: like the squeak of mice behind the wainscot:
a shrill twofold note. But the notes were long and shrill and whirring,
unlike the cry of vermin, falling a third or a fourth and trilled as
the flying beaks clove the air. Their cry was shrill and clear and fine
and falling like threads of silken light unwound from whirring spools.
The inhuman clamour soothed his ears in which his mother’s sobs and
reproaches murmured insistently and the dark frail quivering bodies
wheeling and fluttering and swerving round an airy temple of the
tenuous sky soothed his eyes which still saw the image of his mother’s
face.
Public-domain text, read in full here on John Shaqi.
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