A Portrait of the Artist as a Young ManJoyce, James
General
A Portrait of the Artist as a Young Man
Joyce, James
Artists -- Fiction; Autobiographical fiction; Bildungsromans; Dublin (Ireland) -- Fiction; Young men -- Fiction
Why was he gazing upwards from the steps of the porch, hearing their
shrill twofold cry, watching their flight? For an augury of good or
evil? A phrase of Cornelius Agrippa flew through his mind and then
there flew hither and thither shapeless thoughts from Swedenborg on the
correspondence of birds to things of the intellect and of how the
creatures of the air have their knowledge and know their times and
seasons because they, unlike man, are in the order of their life and
have not perverted that order by reason.
And for ages men had gazed upward as he was gazing at birds in flight.
The colonnade above him made him think vaguely of an ancient temple and
the ashplant on which he leaned wearily of the curved stick of an
augur. A sense of fear of the unknown moved in the heart of his
weariness, a fear of symbols and portents, of the hawklike man whose
name he bore soaring out of his captivity on osier-woven wings, of
Thoth, the god of writers, writing with a reed upon a tablet and
bearing on his narrow ibis head the cusped moon.
He smiled as he thought of the god’s image for it made him think of a
bottle-nosed judge in a wig, putting commas into a document which he
held at arm’s length, and he knew that he would not have remembered the
god’s name but that it was like an Irish oath. It was folly. But was it
for this folly that he was about to leave for ever the house of prayer
and prudence into which he had been born and the order of life out of
which he had come?
They came back with shrill cries over the jutting shoulder of the
house, flying darkly against the fading air. What birds were they? He
thought that they must be swallows who had come back from the south.
Then he was to go away for they were birds ever going and coming,
building ever an unlasting home under the eaves of men’s houses and
ever leaving the homes they had built to wander.
Bend down your faces, Oona and Aleel.
I gaze upon them as the swallow gazes
Upon the nest under the eave before
He wander the loud waters.
A soft liquid joy like the noise of many waters flowed over his memory
and he felt in his heart the soft peace of silent spaces of fading
tenuous sky above the waters, of oceanic silence, of swallows flying
through the seadusk over the flowing waters.
A soft liquid joy flowed through the words where the soft long vowels
hurtled noiselessly and fell away, lapping and flowing back and ever
shaking the white bells of their waves in mute chime and mute peal, and
soft low swooning cry; and he felt that the augury he had sought in the
wheeling darting birds and in the pale space of sky above him had come
forth from his heart like a bird from a turret, quietly and swiftly.
Public-domain text, read in full here on John Shaqi.
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