A Portrait of the Artist as a Young ManJoyce, James
General
A Portrait of the Artist as a Young Man
Joyce, James
Artists -- Fiction; Autobiographical fiction; Bildungsromans; Dublin (Ireland) -- Fiction; Young men -- Fiction
Symbol of departure or of loneliness? The verses crooned in the ear of
his memory composed slowly before his remembering eyes the scene of the
hall on the night of the opening of the national theatre. He was alone
at the side of the balcony, looking out of jaded eyes at the culture of
Dublin in the stalls and at the tawdry scenecloths and human dolls
framed by the garish lamps of the stage. A burly policeman sweated
behind him and seemed at every moment about to act. The catcalls and
hisses and mocking cries ran in rude gusts round the hall from his
scattered fellow students.
—A libel on Ireland!
—Made in Germany.
—Blasphemy!
—We never sold our faith!
—No Irish woman ever did it!
—We want no amateur atheists.
—We want no budding buddhists.
A sudden swift hiss fell from the windows above him and he knew that
the electric lamps had been switched on in the reader’s room. He turned
into the pillared hall, now calmly lit, went up the staircase and
passed in through the clicking turnstile.
Cranly was sitting over near the dictionaries. A thick book, opened at
the frontispiece, lay before him on the wooden rest. He leaned back in
his chair, inclining his ear like that of a confessor to the face of
the medical student who was reading to him a problem from the chess
page of a journal. Stephen sat down at his right and the priest at the
other side of the table closed his copy of _The Tablet_ with an angry
snap and stood up.
Cranly gazed after him blandly and vaguely. The medical student went on
in a softer voice:
—Pawn to king’s fourth.
—We had better go, Dixon, said Stephen in warning. He has gone to
complain.
Dixon folded the journal and rose with dignity, saying:
—Our men retired in good order.
—With guns and cattle, added Stephen, pointing to the titlepage of
Cranly’s book on which was printed _Diseases of the Ox_.
As they passed through a lane of the tables Stephen said:
—Cranly, I want to speak to you.
Cranly did not answer or turn. He laid his book on the counter and
passed out, his well-shod feet sounding flatly on the floor. On the
staircase he paused and gazing absently at Dixon repeated:
—Pawn to king’s bloody fourth.
—Put it that way if you like, Dixon said.
He had a quiet toneless voice and urbane manners and on a finger of his
plump clean hand he displayed at moments a signet ring.
As they crossed the hall a man of dwarfish stature came towards them.
Under the dome of his tiny hat his unshaven face began to smile with
pleasure and he was heard to murmur. The eyes were melancholy as those
of a monkey.
—Good evening, gentlemen, said the stubble-grown monkeyish face.
—Warm weather for March, said Cranly. They have the windows open
upstairs.
Dixon smiled and turned his ring. The blackish, monkey-puckered face
pursed its human mouth with gentle pleasure and its voice purred:
—Delightful weather for March. Simply delightful.
—There are two nice young ladies upstairs, captain, tired of waiting,
Dixon said.
Public-domain text, read in full here on John Shaqi.
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