A Portrait of the Artist as a Young Man — John Shaqi
A Portrait of the Artist as a Young ManJoyce, James
General
A Portrait of the Artist as a Young Man
Joyce, James
Artists -- Fiction; Autobiographical fiction; Bildungsromans; Dublin (Ireland) -- Fiction; Young men -- Fiction
He went once or twice with his mother to visit their relatives: and
though they passed a jovial array of shops lit up and adorned for
Christmas his mood of embittered silence did not leave him. The causes
of his embitterment were many, remote and near. He was angry with
himself for being young and the prey of restless foolish impulses,
angry also with the change of fortune which was reshaping the world
about him into a vision of squalor and insincerity. Yet his anger lent
nothing to the vision. He chronicled with patience what he saw,
detaching himself from it and tasting its mortifying flavour in secret.
He was sitting on the backless chair in his aunt’s kitchen. A lamp with
a reflector hung on the japanned wall of the fireplace and by its light
his aunt was reading the evening paper that lay on her knees. She
looked a long time at a smiling picture that was set in it and said
musingly:
—The beautiful Mabel Hunter!
A ringletted girl stood on tiptoe to peer at the picture and said
softly:
—What is she in, mud?
—In a pantomime, love.
The child leaned her ringletted head against her mother’s sleeve,
gazing on the picture and murmured as if fascinated:
—The beautiful Mabel Hunter!
As if fascinated, her eyes rested long upon those demurely taunting
eyes and she murmured devotedly:
—Isn’t she an exquisite creature?
And the boy who came in from the street, stamping crookedly under his
stone of coal, heard her words. He dropped his load promptly on the
floor and hurried to her side to see. He mauled the edges of the paper
with his reddened and blackened hands, shouldering her aside and
complaining that he could not see.
He was sitting in the narrow breakfast room high up in the old
darkwindowed house. The firelight flickered on the wall and beyond the
window a spectral dusk was gathering upon the river. Before the fire an
old woman was busy making tea and, as she bustled at the task, she told
in a low voice of what the priest and the doctor had said. She told too
of certain changes they had seen in her of late and of her odd ways and
sayings. He sat listening to the words and following the ways of
adventure that lay open in the coals, arches and vaults and winding
galleries and jagged caverns.
Suddenly he became aware of something in the doorway. A skull appeared
suspended in the gloom of the doorway. A feeble creature like a monkey
was there, drawn thither by the sound of voices at the fire. A whining
voice came from the door asking:
—Is that Josephine?
The old bustling woman answered cheerily from the fireplace:
—No, Ellen, it’s Stephen.
—O... O, good evening, Stephen.
He answered the greeting and saw a silly smile break over the face in
the doorway.
—Do you want anything, Ellen? asked the old woman at the fire.
But she did not answer the question and said:
—I thought it was Josephine. I thought you were Josephine, Stephen.
And, repeating this several times, she fell to laughing feebly.
Public-domain text, read in full here on John Shaqi.
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