A practical treatise on coach-building historical and descriptive : $b Containing full information of the various trades and processes involved, with hints on the proper keeping of carriages, &c.Burgess, James W.
History
A practical treatise on coach-building historical and descriptive : $b Containing full information of the various trades and processes involved, with hints on the proper keeping of carriages, &c.
Burgess, James W.
Carriage and wagon making; Carriages and carts
For this work the draughtsman requires a drawing-board and T
square, and two set squares; as he never has to prepare very large
drawings, a board of imperial size will be amply sufficient, and
the T square to have a corresponding length of blade. T squares are
made of a variety of woods, but the most serviceable is one made
of mahogany, with an ebony edge; the most important consideration
being that the edge should be truly “shot” from end to end. The set
squares should either be vulcanite or skeleton mahogany with ebony
edges; the latter are preferable, as they work more cleanly than
the vulcanite, which, unless kept very clean, are apt to make black
smears across the drawing. In order to fasten the paper down to the
drawing board, drawing pins will be required; they are simple pins
of iron or steel, with a large flat brass head; four is the number
required for each sheet of paper, one at each corner. A very much
better way to fix the paper down is to “strain” it to the board. It
is done in the following way:—The sheet of paper to be fastened down
is thoroughly well wetted, by means of a sponge or large flat brush,
on one side (which, it does not matter, but see that your board is
perfectly clean before starting); it should then be left for five or
ten minutes for the water to well soak into the pores of the paper;
when this is done, the paper will be quite limp. Now take a perfectly
clean straight edge, or the back edge of the T square, and turn up
one of the edges of the paper ¼ or ½ an inch against it; along this
edge run a brush charged with glue from the glue pot, or a piece of
ordinary glue dipped into boiling water and rubbed along the edge
will do just as well, and when you think there is enough sticky
matter to promote adhesion between the paper and the board, turn the
edge of the paper back on the board (without removing the straight
edge or T square), and quickly rub it with the tips of the fingers
until it goes down flat all along without any air bubbles: do this to
all four edges of the paper, and place in a perfectly flat position
to dry; and if the operation has been carefully conducted the paper
will be beautifully flat to draw upon, and there can be no fear of
its shifting. When the drawing is finished, all that has to be done
is to cut round the edges of the paper just inside the glued edge,
and take it off. A little hot water will take off the glued strip,
and take care to wash all the glue off at the same time, otherwise
a smaller piece of paper might stick in some important part, and the
drawing spoilt in order to detach it.
Public-domain text, read in full here on John Shaqi.
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