A Prisoner of the Khaleefa: Twelve Years Captivity at OmdurmanNeufeld, Charles
History
A Prisoner of the Khaleefa: Twelve Years Captivity at Omdurman
Neufeld, Charles
Neufeld, Charles, 1856-1918; Prisoners -- Sudan -- Omdurman; Sudan -- History -- 19th century
On the following morning, the Amin Beit-el-Mal ordered me to get ready
to attend a “fantasia” which Wad en Nejoumi had arranged, and at which
he had ordered me to be present; but, being his prisoner, I must appear
as one, for which purpose a light ring and chain was placed on my neck,
and a light chain fastened to my ankles. On arrival at Nejoumi’s place,
I found the Kadi trying to persuade Darb es Safai and about twelve or
thirteen of Saleh’s men to become Mahdists. Darb es Safai was their
spokesman. They scorned the exhortations of the Kadi, and heaped on his
head whatever insults they could. Nejoumi was present, and to him Darb
es Safai said, “We have ridden behind our master, Sheikh Saleh, and we
refuse to follow you on foot as slaves; we have come here to die—let
us die.” Being told that if they persisted in their stubbornness they
would be killed, Darb es Safai repeated, “We have come to die—let us
die.” I was then removed to a small mud hut, told to sit down, and
here hundreds of the populace came to see me, flinging at me all the
abuse their rich language is |50| capable of, striving with each other
to excel in virulence. Darb es Safai and the others had been marched
off a short distance, and set to dig a shallow trench; when this was
finished, they were ordered to kneel at its edge, and their hands were
tied behind them; this action is practically the declaration of the
death sentence. Es Safai asked to be beheaded last, as he wished to see
how his men could die. Only one jumped to his feet when a few heads had
rolled into the trench, when Es Safai called out, “Kneel down. Do you
not see these cowards are looking at us?” This was the “fantasia” I was
to have assisted at, but, by some misunderstanding, I was spared the
horrible spectacle.
Public-domain text, read in full here on John Shaqi.
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